It’s 1989 and Mo makes his first big “discovery” as a newly minted jazz producer. Dawn’s still serving time for masterminding Black Monday, Blair learns the hard way how to play politics, and Keith discovers that the late Lenny Leighman has some big follicles to fill. Mo hatches a plot to get Dawn an early release.

Keith thinks he’s the perfect tailor-made business-wiz Tiff and Corkie need to rebrand Pfaffashions and put it back in the money. Dawn and Mo negotiate their new work/life balance the way they negotiate everything else – no holds barred. Blair has a near-death sexperience and makes a new frienemesis.

Dawn puts on a show at her new “job” for her parole officer, while Blair puts on a show for the RNC. Mo makes a big personal announcement, and Keith tries to please Larry. Blair shoots for political points and his electroshock therapist gets a shock of his own.

Mo and Dawn are at odds when it comes to Nomi’s musical future. Meanwhile, Keith, Tiff and Corkie combine forces to make a damage-control commercial for Pfaffashions. Elsewhere, Blair gets a panic room to panic in.

The group is thrust (literally) back together in a black-site interrogation turned group-therapy session.

Mo and Dawn work through some "artistic differences" as Nomi's star rises. Blair and Tiff schmooze a VIP, and Keith tries to rekindle things with Mike.

Dawn readies for her upcoming move to the West Coast, only to find that Mo’s attempt to help her has, yet again, backfired. Blair realizes that the killer is inside the house. Keith needs a job real, real bad.

Mo tries to make his own bachelor party happenin’. A killer is still on the loose and they’ve chosen to celebrate in a cabin…in the woods. Keith enjoys his social status upgrade until someone unexpected returns.

New Year’s Eve 1989. It’s Mo’s "wedding day," but priority number one is to make sure he and his crew live to see another decade. He and Dawn, Blair, Keith and Yassir work together to do whatever it takes to make sure that happens. Season finale.