Mirror Georgiou receives a surprise invitation from Leland to join a mysterious organization.

ティリーは指揮官訓練プログラムを続けられるか迷い、母親にアドバイスを求めたが、意欲を失うことを言われる。そんなティリーの前にザヒアンという種族のポーが現れる。ポーは女王になる身だが、ザヒア星から逃げ出しディスカバリーに密航したのだ。彼女は星のために大発明をしたが、私利私欲で発明を利用する者たちを見て嫌気がさしていた。

兵士のクラフトは敵から奪った脱出ポッドで宇宙を漂っていたが、ディスカバリーのコンピューター、ゾーラに救われる。ゾーラは誰もいないディスカバリーで千年もの間、人間が帰ってくるのを待ち続けていた。そのため、ゾーラはクラフトを歓待して引き留めようとする。しかしクラフトは故郷に残してきた家族に会いたいと願っていた。

カミナー星のケルピアンは、昔からベウルという種族に収穫されていた。ケルピアンはそれを受け入れていたが、司祭の息子サルーは納得できなかった。ある日、ベウルの落とした装置を手にしたサルーは、それを発信器に改造して空へ挨拶を送った。それに対する返事を受け取ったサルーは１人で山へ登る。

惑星連邦の賞金首となったハリー・マッドは賞金稼ぎたちに狙われる身となる。ある日、異星人に捕まったマッドは、テラライトのテブリンに売り飛ばされる。マッドはウソでたらめを並べてテブリンを言いくるめようとするが、マッドに個人的な恨みのあるテブリンは彼を連邦船へ連行する。ところがそこにはマッドのコピーが何人も収容されていた。

On his first day aboard the USS Enterprise, Ensign Spock and his new superior officer Number One get trapped in a turbolift.

Interviews with producers, writers and stars of Star Trek: Discovery about casting of the debut season.

A discussion with executive producer Alex Kurtzman and composer Jeff Russo about creating the Discovery theme and score for the show.

Newly minted Captain Lynne Lucero is excited to take command of the U.S.S. Cabot, until she meets Edward Larkin, an ornery scientist who believes he has found a revolutionary new use for tribbles.

When an attack on Starbase 28 leaves a surprise prisoner under Cadet Thira Sidhu's watch, she is faced with making a decision that may threaten her standing in Starfleet.

Ephraim, a humble tardigrade, is flying through the mycelial network when an unexpected encounter takes her on a bewildering adventure through space.

When a lightning storm in space scares a young Michael Burnham, her father aims to ease her fears with a mythical story about a brave little girl who faced her own fears head on.

12 year-old classmates Kima and Lil find themselves at odds with each other on a day that will change their lives forever.

The cast, writers and producers comment on the overall Klingon War arc and many individual episodes.

Gersha Phillips talks about creating the uniform for the show. The cast and other member of the costume department comment on the costumes (including the Klingon costumes).

The producers and cast speak to the characterization of the show being about the life journey of Michael Burnham, a woman.

The crew talk about the work to make food that can be use for the various scenes where the cast is eating.

All about creating the phaser, the tricorder and the communicator. There is also discussion about the weapons used by the Klingons and all the props used in the Mirror Universe.

Creating the CG characters and scenes for the show. Many different shots showing designers, animatics and the final product. Alex Kurtzman comments on how this work has to match the best seen in contemporary movies. Many shots about green screen work done on Stage 16 at Paramount Studios for the pilot episode.

Todd Cherniawsky discusses the challenge of keeping canon, yet doing something new and fresh in creating the ships for use in the show. He says that the designs were influenced by large navel vessels (e.g. submarines and surface ships). Taking over for Todd Cherniawsky, Tamara Deverell did production design for the second half of season one and talks about designing the Orion Embassy/Encampment on the Klingon home world.

On a show where no location exists in our world, the production and lighting design teams must create every space. Look at the locations and spaces created for Season Two.

Propmaster Mario Moreira takes fans through the world of Discovery props.

Each species has its own fashion style dictated by both culture and physical attributes. Gersha Phillips and her team discuss how costumes inform a character and how they create a spectacular array of clothing, uniforms and armor for every kind of species.

Producers, craftsmen and actors discuss the design process, the implementation and the performance required to bring characters to life.

There are some shots that simply can't be done practically when you are set in space. The VFX team, headed by Jason Zimmerman, pushes the envelope every week to create amazing computer graphics to give fans a realistic feel of space.

A look at the adventures and plot twists encountered in Season 2 by the crew of the Discovery.

Captain Pike shepherds U.S.S. Discovery through Season Two, but must return to his original command on the U.S.S. Enterprise. The production designer, builders, actors and producers discuss the daunting task of reviving the iconic ship's bridge.

A major plot point of the season is the Red Angel. Go behind-the- scenes with producers, directors and Sonequa Martin-Green, along with the craftspeople that created it and made it come to life.

概要がまだ翻訳されていません。翻訳版を入力してデータベースを一緒に充実させましょう。

Fans can also catch a one-on-one discussion with makeup artist James McKinnon and L'Rell actress, Mary Chieffo.

Follow the real life Discovery crew through preparation, shooting and posting the amazing Season Two finale. A true in-depth look at the many talents that come together to bring Discovery to life.

Jump to the future with the crew of the Discovery as they discuss the new adventures with writers and producers, and dive into how their visions were realized by the cast, sets, costumes and props.

Featuring interviews with cast and stunt coordinator Christopher McGuire, fans get a behind-the-scenes look at the creation of the stunts from rehearsal to the expertise required to make them safe, believable and executed to perfection.

Sonequa Martin-Green takes fans on her season-long journey as Michael Burnham with her personal record of the season and this beloved character.

Traditionally the man behind the mask in Discovery, Kenneth Mitchell is unveiled as Aurellio in the third season. Featuring cast and crew interviews, this emotional and intimate look touches on Kenneth's life with ALS. Discussed on camera for the first time, the featurette highlights how Kenneth's wheelchair was included for his on-screen character, his own take on the various roles he played in Discovery and what those roles mean to the show.

Fans have been intrigued by Starship Discovery's Bridge Crew for three seasons. Now, they can immerse themselves in all things crew-related in this behind-the-scenes look showcasing the characters and actors who bring them to life each week.

Showrunner Michelle Paradise provides a personal log about shooting the beginning of season three in Iceland.

概要がまだ翻訳されていません。翻訳版を入力してデータベースを一緒に充実させましょう。

A quick two-minute bonus that shows the new season 3 on-set tradition of doing 15 claps to get the team amped up started with two of the camera crew; camera dolly grip James Parsons introduces the segment.

The stress and difficulties and challenges of shooting a major TV production during the pandemic.

A comprehensive look at sets, production design, and production value with an emphasis on pushing the boundaries of new technologies to facilitate the show creation process.

A comprehensive look at story, arc, character evolutions and journeys, and more.

Cast and crew reflect on the show's lead role and the part's demands on the screen and on the set. It also looks at Martin-Green's performance.

概要がまだ翻訳されていません。翻訳版を入力してデータベースを一緒に充実させましょう。