Mirror Georgiou receives a surprise invitation from Leland to join a mysterious organization.

A Discover fedélzetén Tilly zászlós váratlan látogatóval találkozik, akinek segítségre van szüksége. Ennek a valószínűtlen párnak azonban több közös vonása van, mint azt elsőre gondolnánk.

Miután egy ismeretlen betegszobában felébred, Craft egy elhagyott hajó fedélzetén találja magát, ahol egyetlen társa és reménye a túlélésre a fedélzeti számítógép mesterséges intelligenciája.

Mielőtt ő lett az első Kelpien aki csatlakozott a csillagflottához , Saru egyszerű életet élt apjával és húgával szülőbolygóján a Kaminaron. A fiatal Saru, tele találékonysággal és népénél szokatlan fokú kíváncsisággal, arra vágyik, hogy megtudja, mi fekszik a falujukon túl, s ez egy váratlan útra vezeti őt.

Harry Mudd, miután visszatért a régi tolvaj- és csaló életmódjához, szorult helyzetben találja magát egy ellenséges hajó fedélzetén - itt az ideje, hogy bevesse legújabb trükkjeit.

Az Enterprise fedélzetén töltött első napján Spock zászlós és új felettese, a hajó első tisztje a turboliftben rekednek.

Interviews with producers, writers and stars of Star Trek: Discovery about casting of the debut season.

A discussion with executive producer Alex Kurtzman and composer Jeff Russo about creating the Discovery theme and score for the show.

A behind-the-scenes look at the makeup and prosthetics department on Star Trek: Discovery, as they both modernize well-known Star Trek species like the Klingons, Vulcans and the Andorians, and bring to life a new species, the Kelpiens.

Lynne Lucero, az újonnan kinevezett kapitány izgatottan veszi át a USS Cabot parancsnokságát. Mindaddig, míg nem találkozik Edward Larkinnal, a makacs tudóssal, aki meg van róla győződve, hogy megtalálta egy forradalmian új módját a tribble-k hasznosításának.

A 28-as csillagbázis elleni támadás során egy "meglepetés" foglyot bíznak Thira Sidhu kadét felügyeletére. Szembe kell néznie azzal, hogy olyan döntéseket kell meghoznia, melyek árthatnak a csillagfotta karrierjének.

Ephraim, egy magányos medveállatka épp a micélium-hálózaton keresztül repül, amikor egy váratlan találkozás következtében őrült kaland veszi kezdetét az űrön át.

Amikor egy űrvihar megrémíti a fiatal Michael Burnhamet, az apja egy mitikus történettel próbálja elűzni félelmeit, mely egy bátor kislányról szól, aki szembenézett a saját félelmeivel.

Kima és Lil, a 12 éves osztálytársak, összevesznek egymással egy olyan napon, amely örökre megváltoztatja életüket.

Gersha Phillips talks about creating the uniform for the show. The cast and other member of the costume department comment on the costumes (including the Klingon costumes).

The producers and cast speak to the characterization of the show being about the life journey of Michael Burnham, a woman.

The crew talk about the work to make food that can be use for the various scenes where the cast is eating.

All about creating the phaser, the tricorder and the communicator. There is also discussion about the weapons used by the Klingons and all the props used in the Mirror Universe.

Creating the CG characters and scenes for the show. Many different shots showing designers, animatics and the final product. Alex Kurtzman comments on how this work has to match the best seen in contemporary movies. Many shots about green screen work done on Stage 16 at Paramount Studios for the pilot episode.

Todd Cherniawsky discusses the challenge of keeping canon, yet doing something new and fresh in creating the ships for use in the show. He says that the designs were influenced by large navel vessels (e.g. submarines and surface ships). Taking over for Todd Cherniawsky, Tamara Deverell did production design for the second half of season one and talks about designing the Orion Embassy/Encampment on the Klingon home world.

On a show where no location exists in our world, the production and lighting design teams must create every space. Look at the locations and spaces created for Season Two.

Propmaster Mario Moreira takes fans through the world of Discovery props.

Each species has its own fashion style dictated by both culture and physical attributes. Gersha Phillips and her team discuss how costumes inform a character and how they create a spectacular array of clothing, uniforms and armor for every kind of species.

Producers, craftsmen and actors discuss the design process, the implementation and the performance required to bring characters to life.

There are some shots that simply can't be done practically when you are set in space. The VFX team, headed by Jason Zimmerman, pushes the envelope every week to create amazing computer graphics to give fans a realistic feel of space.

A look at the adventures and plot twists encountered in Season 2 by the crew of the Discovery.

Captain Pike shepherds U.S.S. Discovery through Season Two, but must return to his original command on the U.S.S. Enterprise. The production designer, builders, actors and producers discuss the daunting task of reviving the iconic ship's bridge.

A major plot point of the season is the Red Angel. Go behind-the- scenes with producers, directors and Sonequa Martin-Green, along with the craftspeople that created it and made it come to life.

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Fans can also catch a one-on-one discussion with makeup artist James McKinnon and L'Rell actress, Mary Chieffo.

Follow the real life Discovery crew through preparation, shooting and posting the amazing Season Two finale. A true in-depth look at the many talents that come together to bring Discovery to life.

Jump to the future with the crew of the Discovery as they discuss the new adventures with writers and producers, and dive into how their visions were realized by the cast, sets, costumes and props.

Featuring interviews with cast and stunt coordinator Christopher McGuire, fans get a behind-the-scenes look at the creation of the stunts from rehearsal to the expertise required to make them safe, believable and executed to perfection.

Sonequa Martin-Green takes fans on her season-long journey as Michael Burnham with her personal record of the season and this beloved character.

Traditionally the man behind the mask in Discovery, Kenneth Mitchell is unveiled as Aurellio in the third season. Featuring cast and crew interviews, this emotional and intimate look touches on Kenneth's life with ALS. Discussed on camera for the first time, the featurette highlights how Kenneth's wheelchair was included for his on-screen character, his own take on the various roles he played in Discovery and what those roles mean to the show.

Fans have been intrigued by Starship Discovery's Bridge Crew for three seasons. Now, they can immerse themselves in all things crew-related in this behind-the-scenes look showcasing the characters and actors who bring them to life each week.

Showrunner Michelle Paradise provides a personal log about shooting the beginning of season three in Iceland.

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A quick two-minute bonus that shows the new season 3 on-set tradition of doing 15 claps to get the team amped up started with two of the camera crew; camera dolly grip James Parsons introduces the segment.

The stress and difficulties and challenges of shooting a major TV production during the pandemic.

A comprehensive look at sets, production design, and production value with an emphasis on pushing the boundaries of new technologies to facilitate the show creation process.

A comprehensive look at story, arc, character evolutions and journeys, and more.

Cast and crew reflect on the show's lead role and the part's demands on the screen and on the set. It also looks at Martin-Green's performance.

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