The most dynamic, cutting edge Star Trek series produced to date. Every episode is "edge of your seat" entertainment. Production, direction and actor craft reaches above and beyond all prior franchise endeavors. This is NO LIMITS Star Trek.

It's hard/impossible to find an online review of the full season. The full 15-episode Season 1 is available on Netflix here in Europe. Access in the USA is via other paid services, at least on initial release, but American viewers might be able to catch up with this on Netflix if they travel. Meanwhile all initial reviews are based on the pilot (episodes 1 and 2 combined). The pilot attracted good reviews - more than the full season deserves - in part simply from the pleasure of seeing a new Star Trek series on screen.

By the end of Season 1, it feels uneven. There are some great ideas... read the rest.

Basically, the whole thing is a politically correct propaganda show. Everyone is an independent and capable woman. The only white male in a position of power is a single capitan, his with his flaws too. The rest? Incredibly obvious.

Episode 10 is about a parallel universe in which - although the human race rules over everything, it's painted as an evil 'Terran Empire' and villified to the max. Everyone is evil. Why? Because the core mantra of this alternate human race is - listen to this - preserving their own kind (basically, they made an episode about just how bad a racist universe might b... read the rest.

The first season of Star Trek Discovery I can only describe as awful. Like the vacuum of space it was sucked dry of the warmth and sense of hope and optimism found in the wonderful 1990's series.

It came as a relief that the writers and producers listened to fans and crafted a much improved second season. That said, the hangover from season one remains and its uncomfortably starchy militaristic vibe, has not completely dissipated.

To add to the series woes there is, of course, competition from the truly wonderful series "The Orville" which many long time fans, including myself, feel is... read the rest.

A brilliant example of current entertainment television! DSC is not only the best Star Trek to date, it represents the best of modern science fiction, period! Cinematic in scope, DSC is more imaginative, thoughtful, exciting, interesting and absolutely beautiful to watch than any other previous manifestation of Star Trek. For the first time we see a wide range of carefully developed, nuanced characters facing a variety of situations yet upholding the same Star Trek values of Gene Roddenberry. Have some of the 'usual' stereotypical characterizations taken back seat to a more diverse presentatio... read the rest.

This is Star Trek as people who thought Star Trek was stupid and didn't watch it imagined it to be. Cheap soap opera melodrama, unnecessary references to physicists, poor storytelling masquerading as lousy fake zeep zoop ork bork science. Awful. But put a shine on a turd and people will think it's low calorie old family recipe cicolatta gellato.

The problems this show deals with are pretty basic and surface level. The characters aren't complex but as usual driven by basic, human emotions despite supposedly being from other races and species.

It feels like the show tries to make every episode themed: time-travel, parallel dimension, alternate universe, hostile take-over, bla bla bla. One thing's for sure though, they didn't skimp on the visuals, because they are phenomenal!

The show does however drop you into a world that has little to no frame of reference. As somebody who knew very little about Star Trek, despite not having too... read the rest.

For starters it's dark...and that's really NOT Star Trek. Star Trek is optimistic and light even when it goes a little gritty. It's supposed to be an optimistic future where Earth strives for a Utopia...and Discovery isn't that at all.

Discovery is bleak and pessimistic and really, that's not what I want when I want to sit down and watch Star Trek.

And then it's weighted in the present, and again, that's not what I want in science fiction.

A reflection of the present is fine...a satire on it is fine...but to try and anchor the plots so much in the present that it becomes BLATANT...that... read the rest.