Episodis 13
Claude-Jean Philippe sees the invention of cinema as the meeting of photographers and ghosts. This film chronologically follows the progress of two inventions: Joseph Plateau's discovery of the persistence of retinal images, the perfection of his phenakitiscope, and Nieppe's invention of photography. The Lumière brothers' cinematograph is the culmination of this double discovery.
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Lumière et le cinématographe
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Méliès ou le génie de la surprise
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Le cinéma forain
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Episodi 10
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Episodi 11
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Episodi 12
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Les Années 20: De l'impressionnisme au cinéma pur
Cinema owes a lot to this experimental laboratory that was the French avant-garde between 1919 and 1924. Based on this observation by Henri Langlois, Claude-Jean Philippe shows that these filmmakers (Louis Delluc, Marcel L'Herbier) accused their difference, like the impressionist group. On the other hand, at the end of the 1920s, everyone dreamed of a "pure cinema".
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