Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

Türkçe'ye çevrilmiş bir özet henüz bulunmuyor. Film için bir tane ekleyerek katkıda bulunabilirsiniz.

A featurette on the creation of the Six Feet Under opening titles

Featurette featuring cast and filmmatkers

Los Angeles, véspera de Natal. Nataniel Fisher, proprietário da Agência Funerária Fisher & Sons, morre num acidente de carro quando um autocarro embate no seu novo carro fúnebre. A tragédia afeta Nate, de regresso a casa para gozar de umas férias. Além de confrontado com a morte repentina do pai, Nate tem de lidar com os frágeis egos da mãe Ruth, que tem um caso com o seu cabeleireiro; do irmão David, um homossexual não assumido que anda com um polícia negro e da irmã Claire, uma adolescente rebelde que recebe a má notícia depois de consumir drogas com o novo namorado. A única coisa boa na vida de Nate é Brenda, uma mulher apaixonada que conheceu no avião mesmo antes de ficar a saber da morte do pai. Em casa, o jovem armador fúnebre Fedrico, esconde os danos do acidente de Nathaniel, mas o funeral expõe as emoções mais recalcadas da família e questiona alguns dos nossos rituais fúnebres mais absurdos. O velho Nathaniel poderá ter partido, mas ainda tem muitas revelações a fazer à sua família.

O criador de um esquema de pirâmide morre num acidente numa piscina, deixando a viúva e uma filha pequena cheias de dívidas e sem dinheiro para lhe fazer um funeral adequado. Nate propõe-lhes alugar um caixão dispendioso e, depois do velório, podem cremar o corpo. O problema é que, por lei, um caixão usado não pode voltar a ser vendido. Entretanto, durante a leitura do testamento de Nathaniel Fisher, Ruth fica com o dinheiro, as ações e o seguro, Nate e David recebem a funerária, para grande descontentamento de David, e Claire tem os custos da universidade pagos, que ela considera trocar por dinheiro.

O dono de uma padaria tem um fim trágico e cabe a Fredrico voltar a encaixar as peças. Os Fisher decidem vender o negócio à agência Kroehner, mas Nate volta atrás com a decisão depois de se reunir com Gilardi. Para se sentir viva, Ruth vai às corridas de cavalo com a melhor amiga Amelia, mas perde muito dinheiro.

Um membro de um gangue mexicano-americano é assassinado e os Fisher descobrem que os desejos da família relativamente ao enterro entram em conflito com os do líder do gangue. Entretanto, estando o incêndio sob investigação, Nate, David e Ruth interrogam-se se Claire não estará envolvida com o incidente do outro lado da rua. Brenda vai a casa dos Fisher para o seu primeiro jantar com a família de Nate, mas Ruth não fica com boa impressão. David é incentivado a pôr ponto final à rixa com Keith e a fazer frente às ameaças de Gilardi em destruir o negócio da família.

A morte de uma estrela pornográfica choca Ruth, que não está preparada para a quantidade de estrelas porno que invadem a agência Fischer para elogiar a atriz falecida. Keith desaprova quando David revela as suas intenções de substituir o pai como diácono na capela da família. Claire e Ruth tentam passar algum tempo de qualidade juntas e resolvem ir a casa dos primos. Nate vai jantar com os pais psiquiatras de Brenda, Bernard e Margaret, mas sem Brenda, e acaba por ter um primeiro encontro agitado com o irmão de Brenda, Billy.

Um inconsolável viúvo recusa-se a sair da Agência Funerária Fisher depois da morte da sua mulher desde há 56 anos. Ruth ignora Hiram quando o encontra na igreja. Mais tarde, é cortejada por Nikolai, o florista russo da agência Fisher. Ao examinar as faturas da funerária, Nate descobre alguns segredos do pai, incluindo um misterioso quarto que ele negociou em troca de um funeral.

Quando um jovem veterano do Exército morre de Síndrome da Guerra do Golfo, o irmão aflito, decide evitar fazer um funeral militar e opta por uma simples cremação. Ruth convida Hiram para jantar e depois aceita um emprego trabalhando para Nikolai. David vota a favor da contratação de um jovem padre associado e progressista. Nate e Brenda planeiam passar o seu primeiro fim de semana fora, mas Billy tem outras ideias.

Com o negócio da Funerária Fisher em baixa, Nate e David decidem alugar um quarto na agência para fazerem algum dinheiro e Rico sente-se tentado a ganhar mais dinheiro trabalhando algumas horas para a agência Kroehner. Claire esforça-se para aprender durante uma caminhada nas montanhas e Ruth tenta conciliar o que sente por Hiram pela sua necessidade de excitação. A disposição de David melhora quando recebe boas notícias: houve um acidente de autocarro com várias vítimas e muitas delas são habitantes locais!

Uma tragédia une Claire a Gabe, o “fulano dos pés” que lhe arruinou a reputação na escola. David e o novo namorado Kurt correm as discotecas da cidade. Para melhorar as técnicas de venda de Nate, Brenda sugere que se apresentem como parentes afastados dos defuntos nas várias agências funerárias da área. Ruth acha que um fim de semana fora a acampar com Hiram poderá ser uma experiência reveladora.

Nate e David decidem contratar alguém para substituir Rico: Angela, que trabalha bem e diz o que pensa, talvez até bem demais. Billy apresenta uma mostra com algumas fotografias recentes, incluindo uma tirada a um surpreendente — e surpreso — objeto.

David, Nate e Brenda viajam até Las Vegas para assistir a uma conferência de diretores de agências funerárias. Ruth tira um curso de arranjos florais e aprende a ouvir o seu “eu” interior. A morte de um bebé com Síndrome de Morte Súbita Infantil atormenta o regresso de Rico à Fisher & Sons, pois a sua esposa está grávida do seu segundo filho.

O homicídio homofóbico de um homossexual força David a enfrentar os seus próprios medos. Depois de uma brincadeira de mau gosto por parte de Billy, Nate concorda com os pais de Brenda de que Billy deve ser internado, mas Brenda não fica convencida. Ruth partilha um segredo sobre a sua vida amorosa com a amiga florista, Robbie. Claire partilha um segredo acerca de Gabe com a psicóloga da escola e David partilha um segredo acerca dele próprio com a mãe.

The Fisher family experiences the control-freak side of Tracy Montrose Blaire; Brenda visits a remorseful Billy; David faces problems at his church; Gabe reverts to some bad habits; and Rico finds reason to celebrate.

A young actress's death prompts her castmates from a slasher film to pitch in for a cheap funeral at Fisher & Sons. Meanwhile, Ruth arranges a dinner for Nate, David and Claire--and their significant others--after reading a book for parents of gay and lesbian children.

A college football player's death during practice bothers Nate, who earlier learned of his own potentially fatal condition. Meanwhile, Federico's request to borrow money from Nate and David is rejected, and he later learns of their newest purchase: a 'casket wall' display.

The death of a psychic's husband sparks some interesting conversation around Fisher & Sons. Meanwhile, Ruth is changed after attending a lengthy self-actualization seminar; Claire is upset to discover that her guidance counselor has betrayed her confidence; and Brenda walks out on a college course she enrolled in.

Nate brings Claire to his old stomping ground in Seattle to help him retrieve the body of a man who feared flying. There, they stay with Lisa, a woman who still carries a torch for Nate.

Ruth takes a personal interest in the death of a woman who has no friends or relatives. Meanwhile, Brenda's search for a literary muse prompts her to turn to one of her massage clients--a prostitute named Melissa--and Nate's relationship with Brenda takes an unexpected turn.

Mitzi Huntley arrives back in Nate and David's lives thanks to a comparison-shopping widow. Meanwhile, Ruth's estranged sister Sarah arrives for an unexpected visit. Later, a vodka-fueled family dinner casts a pall over Nate and Brenda's happy news.

A Jewish funeral at Fisher & Sons leads Nate to seek spiritual guidance from an intense female rabbi. Claire is surprised to meet a guy while visiting her Aunt Sarah. Meanwhile, a medical emergency prompts David to consider giving his relationship with Keith another shot. Federico's jealous suspicions about his cousin Ramon prove to be very misguided.

The Christmas season marks the anniversary of Nathaniel's death...and gets everyone thinking about their last moments with him. Meanwhile, Nate and Brenda are shocked by Margaret Chenowith's Christmas Eve guest, Claire gets into a dangerous online relationship and Federico stirs up trouble in his own family.

Ruth continues to help an injured Nikolai recover, but her patience is tested when she discovers just how he broke his legs. Brenda's escapades help her to write, but her feelings about being engaged grow more muddled--especially after Billy's release from the hospital.

David and Keith continue trying to iron out their problems...and Karla has a secret that isn't going to make things any better. Meanwhile, Claire takes a curious approach to photography, Ruth prepares to move ahead with Nikolai and Brenda's engagement anxiety leads her on a sexual adventure with Melissa.

Nate and Brenda find comfort thanks to Rabbi Ari's advice. Ruth's need to control the lives of Nikolai and Claire leads her to a surprising self-assessment. Federico's suspicions about an elderly woman's 'natural' death lead him to place Vanessa under scrutiny. A disgruntled former client files a lawsuit against Fisher & Sons.

Claire seems to be finding some direction in her life, and a newly serious Billy is an unlikely choice to help her. Tensions between Nate and Brenda finally come to a head, while Keith has a problem that threatens everything he has worked towards in his relationship with David.

Fisher & Sons is the subject of an unannounced inspection, which proves surprisingly beneficial for Federico. Meanwhile, Claire's art-school interview takes an unexpected turn, and things grow tense between Keith and David. Also, Nate finds himself at a crossroads, both with Brenda and with his AVM.

Fisher & Sons has become Fisher & Diaz, and Rico is doing all he can to make sure he's not a 'gofer' anymore. Meanwhile, David and Keith decide to give couple's therapy a try, Claire skips art class to get to know a crematory worker named Phil; and Ruth goes overboard in her obsession with her granddaughter Maya.

David and Rico are at odds over doing business with the family of a deceased telemarketer, Claire finds she has more in common with a fellow art student named Russell than with Phil, and Ruth meets a new friend, Bettina. Meanwhile, David and Keith get a taste of a different kind of family life and Carol continues to make life miserable for Lisa.

Keith and David find the reality of a resort vacation different than advertised, Ruth learns the meaning of 'express checkout' during a shopping excursion with Bettina, and Claire gets a lesson in 'sick' art from a new teacher.

While the partner of a recently deceased gay man is orchestrating an operatic tribute at Fisher & Diaz, Lisa plans an unwanted birthday party for Ruth. Meanwhile, Claire has a night to remember with Russell and two outlaw art teachers.

Fisher & Diaz deal with the recently discovered body of a man missing for years. Meanwhile, Ruth sets the ground rules for a new live-in apprentice named Arthur, David meets an old acquaintance during an L.A. Gay Men's Chorus rehearsal, and Claire is surprised by her responsibilities as Olivier's new assistant.

A nosebleed proves deadly for one audience member queuing up to see the 'Dr. Dave' advice show. Meanwhile, Lisa takes Maya on an illuminating camping trip, and Rico wrestles with the challenges of a double-wide corpse and 'triple X' casket.

A group of familiar relatives and friends is united in mourning. Meanwhile, David and Keith play 'Leading Ladies' at brunch with members of the Gay Men's Chorus, Ruth and Arthur perform a rendition of 'My Favorite Things,' and Rico grows increasingly concerned about Vanessa's 'intense energy.'

After the patriarch of a cultish new-age clan dies, Fisher & Diaz is overrun by the wives and children left behind. Meanwhile, Keith gets back at David and his brunch pals during an intense game of paintball, Claire tires of being Olivier's lackey assistant, and Ruth and Arthur savor the smell of clean laundry.

The Fishers run into some unexpected guests at an art-school benefit featuring works for sale by Claire, Russell and Olivier. Meanwhile, David and Keith have an awkward video-store meeting with Father Jack, then haggle over the 'rules' of three-way sex with a stranger.

A bee sting during a family picnic ends a life. Nate tends to Maya while Lisa visits her sister in Santa Cruz. Meanwhile, Vanessa seems back to her old self, to Rico's relief; Russell's decision to share a secret with Claire backfires; Arthur wonders whether he should be mixing laundry with Ruth; and David gets a look at another dysfunctional family.

Fisher & Diaz is brimming over with activity after a trio of unrelated deaths. Meanwhile, Nate anxiously awaits Lisa's return from Santa Cruz; Vanessa and her sister Angelica enjoy a therapeutic shopping excursion, to Rico's chagrin; Claire grades herself in art school, then takes another important test; and Ruth cries all over a stranger's jacket.

After a serial killer is executed in Texas, his daughter brings him home for a fitting Fisher & Diaz funeral. Meanwhile, Ruth spends some quality time in the company of George Sibley; David arrives at a crossroads in his relationship with Keith; Rico can't find refuge from his domestic demons; and Nate and Claire get lost in their own separate twilights.

Death continues to shuffle its deck randomly for would-be clients of Fisher & Diaz. Meanwhile, Nate looks to quell his inner demons through extreme remedies offered at a local bar--giving Claire way more baby-sitting action than she bargained for. Also, Ruth shakes up the family with some unexpected news.

In an attempt to honor Lisa's last wishes, Nate finds himself at odds with her family. Meanwhile, David and Keith look for 'genuinely new' ways to start over; Federico seeks out a priest for absolution; Vanessa gets tired of Angelica; Brenda does 'the neighbor thing' with Joe; and Ruth sings the praises of her new husband George.

George puts his stamp on the Fisher home. David cautions Nate about projecting his personal grief onto their clients; Keith applies for a glamorous new job; Joe challenges the logic of Brenda's 12-step plan; Claire reawakens her artistic muse after meeting a free spirit named Edie; and Federico proves that charity doesn't always begin at home.

A group of prank-happy teenagers find their latest joke is no laughing matter. Meanwhile, the Fishers decide to hold a yard sale; David grooms Arthur for a new role; Nate gets intimately involved in Maya's afternoon playgroup; Claire attends an art party; Ruth and George receive some unwanted wedding gifts; Federico gets caught up in family responsibilities; Keith adjusts to the peculiarities of his new job; Joe isn't thrilled by Brenda's yearning for normalcy; and some important memories go up in smoke.

David's ex-fiancee re-enters his life in search of answers to the question, 'Why me?' Meanwhile, Nate has a psychic rendezvous, Keith's new job sends him into the closet, Federico identifies with David's past, Claire decides not to let life pass her by, George dumps some surprise baggage on Ruth, and Margaret weighs in on daughter Brenda's new relationship.

With Keith out of town on business, David gets taken for a ride by a hitchhiker. Meanwhile, Nate feels out of place in a bereavement group, Ruth tries to play matchmaker--to George's chagrin, Claire feels empty after a critique of her self-portraits, Brenda and her mom go back to school, and Federico gets an unexpected visitor at work.

Fisher & Diaz hosts two very different parties in one night. Meanwhile, David is uncomfortable with all the comfort he's receiving; Nate finds temporary relief at a 'canine retreat,' Claire and her art-school friends go on a trip, Ruth grows frustrated with George's "nasty little secrets" and Federico gets his phone wires crossed.

Ruth goes on a fossil hunt with George, and digs up Sarah and Bettina. Claire focuses her talents on Edie; Federico tries to unload on Sophia; Vanessa does some part-time detective work; Keith goes 'out' to a bar with his co-workers; David drowns his stress; Nate dares Brenda to be honest with Joe, and receives some relationship advice himself.

Nate and Brenda take Maya on a train ride, getting caught in their tracks when they go a little too far. Meanwhile, David tries to 'sex-orcise' his demons; Keith straightens out a conflict of interest; Federico starts sleeping on the job; Ruth schools George when he treads on her garden; Vanessa and Angelica take some female matters into their own hands; and Claire enjoys 'dancing' with Edie--as a spectator sport.

Ruth and Bettina take a road trip to Mexico, leaving the men of Fisher & Diaz to some male bonding--and comic-book crime-fighting. David and Keith open up after closing their 'open' relationship; Claire warms up to Jimmy after getting the cold shoulder from Edie and Anita; Billy resurfaces as a substitute art teacher; and Nate can't decide what he wants from Brenda, who turns to old friends to treat the pain.

Nate gives Maya 'one last look' at a memorial for Lisa, where some surprise discoveries ensue. David and Keith are inspired by a same-sex wedding; George agrees to Ruth's marriage stipulations; Federico is disturbed by the 'new and improved' Vanessa; Brenda crosses a bridge with her therapy client; and Claire and Billy develop something in the darkroom.

Ruth is giddy about going to a tantric workshop with George, who retreats to the family's emergency shelter. Meanwhile, David's last bite at a sushi restaurant threatens to cost him--and Keith--a lot more than the bill; Nate drops a bomb on Barb, which sparks a counterattack; Claire fights Russell over credit for her latest photos; Margaret's hospital stay helps Brenda and Billy begin to heal their rift; and Vanessa shows she can beat Federico at his own game.

Ruth is delighted to meet George's daughter, but worries as his paranoid 'views' of the future escalate. 'Star' Claire gets high off her newfound fame; Federico pleads his case to Vanessa, who delivers a verdict; David confronts a demon face-to-face; Keith considers a business proposal; and Nate comes to final blows with Barb and Hoyt.

Ruth dreads George's return from the hospital in light of his recent diagnosis; Nate and Brenda prep for a big day, but an emergency makes them reconsider; David and Keith discuss alternative parenting options; Rico tries internet dating; and Claire enjoys domestic bliss but crosses a line with her camera.

Nate hangs with some high-school friends but finds that, as adults, they share little more than teenage memories; Ruth gets relief from George's daughter Maggie; Brenda is reluctant to accept Margaret's help and struggles in her new internship; David and Keith's latest baby dream starts to resemble a nightmare; Claire bemoans being pigeonholed by her art; Billy defends his career but secretly wonders what happened to his old self; and Rico, mortified that he couldn't take a dating hint, seeks sympathy from Vanessa.

Claire is seduced by Billy's lust for life but hits a roadblock trying to fund the next leg of her educational journey; George is haunted by visions of an early trauma; Brenda feels at home with her new supervisor Jackie; David and Keith meet a fertile young woman named Mary; Vanessa encourages Rico to mingle, so he does--at a funeral directors' conference.

Brenda is disturbed by Nate's reaction to her latest news; Ruth shares her feelings about George with her knitting circle; David and Keith 'propose' to Mary and meet Roger's equally unconventional family; Rico is shocked at how Vanessa and the boys are doing; frustrated, George shares a beer and a song with Billy; and Nate comes home to an unpleasant surprise.

Nate and Brenda discuss giving Maya a 'coherent narrative'; David and Keith await news from Mary, and meet a special little boy; Vanessa is shocked when Julio gets into trouble at school--and mortified when Rico schmoozes things over; Billy invites Claire to dinner, but has no appetite; Margaret helps stage an ambush; and Maggie brings George to a tense meal.

Ruth happily helps 'circle the wagons' when Sarah calls; David and Keith discover it's hard work playing house with Anthony and his brother Durrell; Nate muses on the loss of his first love; Claire finds a temporary financial solution; Vanessa hires a nanny with unexpected talents; Rico gets an offer he can't believe--or refuse.

David and Keith struggle to create parent-child boundaries; When Brenda and Nate get some ambiguous news, it confirms their views on life and death; Ruth fills her schedule with activities, but has trouble unwinding; Claire meets an interesting guy at work, and makes an effort to fit in; Margaret lets a cat out of the bag; and George drops a bomb on Ruth.

A young Latina's funeral raises questions about the culture--and future--of Fisher and Diaz. Meanwhile, David and Keith are upset when they're not in the driver's seat; Claire takes her co-worker Ted to an art school show; Brenda gets vital info from her doctor--and from Jackie; and Ruth goes out for some pampering and gets more than she paid for.

David and Keith get comfortable with their new family life; Claire is shocked to discover she and Ted share a passion for politics; Ruth finds empowerment in the woods; Maggie is forced to make a series of awkward calls; Brenda faces several truths at once; Rico finally 'gets' Vanessa; and Nate brings the family together against their will.

While David attends to family business, Keith makes an embarrassing self-discovery on the job; Brenda is challenged by Nate and answers a hard question for Maya; Margaret compares herself to her daughter; Ruth lets Bettina play nurse; Rico and Vanessa decide to protect their future; Claire is comforted by Ted's squareness; and George makes a speech about love.

As David's fears take over, Keith tries to protect him--and the boys; Billy attends to his sister; Claire goes on a drunken harassment spree and pushes Ted away; Rico pushes for a talk about the business; George tries to help Ruth with Maya; Nate urges Brenda to embrace a taboo; and Vanessa sees the future in a funeral home.

David finally embraces a demon; Keith gives 'tough love'; Nathaniel talks to his younger son; Brenda delivers and fights Nate's negativity; Claire gets an exciting call; Ted inspires sexy photos; Margaret is impressed to see Olivier's nurturing side; George's limitations eclipse his intentions; and Claire drives into her future.