Olivier, the nine-year-old son of Elisabeth and Serge, a country veterinarian, vanishes one afternoon on the way to his grandmother's house. The emotional aftermath of his disappearance sends his father packing and nearly destroys his mother.

A portrait of French composer Olivier Messiaen (1908–1992), through archival films from 1964 to 1987.

"A renowned composer and organist, Olivier Messiaen was also a great teacher. Michel Fano, who took his composition class at the Paris Conservatory, films some of the privileged moments of his teaching. This film, co-directed with Denise Tual, also shows Messiaen as a devotee, an ornithologist, and a synaesthete, evoking the fundamental concepts of his inspiration with an often sparkling ease (the musician imitating certain bird songs in a manner reminiscent of Rouch recreating the cries of wizards for certain films). In this way, the film boldly collides sequences with visual or sound correspondences, the directors succeeding in dragging us into the world of mystery and dreams dear to the musician." (François Waledisch)

Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.

An interview with film scholar Olivier Cuchod on Jean Renoir's 1939 film THE RULES OF THE GAME.

The New Year's tragicomedy "Olivier" tells how, having prepared a bunch of food and a bowl of salad "Olivier", Lucy remains completely alone for the New Year. Unable to survive this, Lucy orders Santa Claus, but who will he turn out to be?

Directed by Mohamed Nadir Azizi.

"An olive-shaped peephole, softly pulsing at the edges, focuses the spectator’s gaze out from a black screen. We see an abstract, opalescent vertical shape emerging to the sound of singing birds and chirping crickets. Over the abstract photos of plants, the organic and cinematic worlds feed back on each other. A kingdom for the olive." - Sebastian Höglinger

A fifty years old chemist, Olivier, does everything in order to hide his baldness from his wife. Worried that she might not love him with his hairless head, he has created a skillful routine to disguise it. But one day, Olivier is forced to use an extreme solution that might affect the couple's life.

At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.

The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.

Olivier calls himself a 'statistical miracle'. He is almost 27 years old but the doctors had predicted that, because of the heart disease he was born with, he would not get much older than 25 years. He doesn't seem to be suffering from the threat of death closing in on him. With unbridled energy, he parties, smokes, drinks and dances until deep into the night, and in the morning wakes up in bed next to girls he doesn't even know. His family and friends alienate from him because of this life style, and the fact that he doesn't have long lasting relationships, doesn't bother him. Olivier lives, day by day. Until new medical technologies make it possible to cure him, and a new future opens up to him. Everybody is happy, but Olivier doesn't know how to deal with the expectations and responsibilities of his new life.

In this television documentary, Laurence Oliver is interviewed by Kenneth Tynan about his Shakespearean films.

A documentary that follows the pre-production and shooting of Olivier Marchal's film: "36, Quai des Orfèvres".

A young and charming employee finds himself victim of an "office intrigue" engineered by his attractive female boss.

Promotional short hosted by Laurence Olivier promoting the film "Othello."