Raymond Depardon

MONTAGE is a film record of the Montaje/Lachenmann recital presented by the Proa Foundation on November 8, 2013 in collaboration with the Contemporary Music Series. The recital project revolved around three Pieces for three soloists by Helmut Lachenmann, a nucleus that manifests itself as an index of radicalism from which a story of the direction that guides the career of its author can be undertaken. The program concluded with the simultaneous performance of those three Pieces, a version that appears in the Lachenmanian catalog under the name of Montage and for which there is no score or record. What is heard at the conclusion of this documentary could be the only record, so far, of that ghost version that the composer advises not to try.

A woman's child is kidnapped and killed after paying the ransom. 15 years later, a mysterious figure is seen visiting the site of killing and another kidnapping occurs using the same methods. The woman teams up with a detective to catch the killer once and for all.

Hailed as one of the most innovative and intimate documentaries of all time, experience Kurt Cobain like never before in the only ever fully authorized portrait of the famed music icon. Academy Award nominated filmmaker Brett Morgen expertly blends Cobain's personal archive of art, music, never seen before movies, animation and revelatory interviews from his family and closest friends.

November 19, 2019-January 2, 2020 We covered Hong Kong during the democratization movement. Junior high school students, University students, Musicians, Designers, Politician, Former police officer, Democrat, Office worker Why do they fight?

A short documentary about the protests in Hong Kong in 2019 and 2020.

Suk-jing leads an ordinary life with her husband and in-laws in the New Territories. Having recently become a mother, she faces drastic changes in her life. Suk-jing single-handedly takes care of her baby day and night, while her husband never takes the initiative to share any parental duties. Exhausted, she is further battered by continuing conflicts with her in-laws and postpartum bodily changes. Losing her job at the bakery is the last straw. Feeling worn out and torn, she seeks an immediate solution.

Suk-jing leads an ordinary life with her husband and in-laws in the New Territories. Having recently become a mother, she faces drastic changes in her life. Suk-jing single-handedly takes care of her baby day and night, while her husband never takes the initiative to share any parental duties. Exhausted, she is further battered by continuing conflicts with her in-laws and postpartum bodily changes. Losing her job at the bakery is the last straw. Feeling worn out and torn, she seeks an immediate solution.

1. West End Girls 2. Discoteca 3. Being Boring 4. Closer To Heaven 5. Can You Forgive Her? 6. Only The Wind 7. What Have I Done To Deserve This? 8. New York City Boy 9. Left To My Own Devices 10. Young Offender 11. Vampires 12. You Only Tell Me You Love Me When You're Drunk 13. Was It Worth It? 14. Se A Vida É (That's The Way Life Is) 15. I Don't Know What You Want But I Can't Give It Any More 16. Always On My Mind 17. Shameless 18. Opportunities (Let's Make Lots Of Money) 19. It's A Sin 20. It's Alright 21. Footsteps 22. Go West Footage recorded live at various concert venues in Dortmund, Germany on their 1999/2000 Nightlife Tour.

Oscar nominated "Making of" documentary about Peckinpah's The Wild Bunch.

Documentary about the strikes that took place in São Bernardo do Campo, in the State of São Paulo, Brazil, circa 1979/1980. That moment was of utmost importance, since it revealed a Union leader, Luís Inácio "Lula" da Silva, who would later become President of Brazil. It was also the moment when PT, the Workers' Party, became a relevant political force in Brazil.

[Vorkapich Montage Sequences] (1928-1934) are clips from Hollywood feature films designed by Slavko Vorkapich: sequences from Manhattan Cocktail (1928), The Wolf of Wall Street (1929), Sins of the Fathers (1928), and the Furies sequence from Crime Without Passion (1934).

Getting ready is a simple, sometimes daily act. This 16mm pink coloured black and white film is a portrait of a beautiful woman putting on things and taking off. Of glamour, of resignation of the self to the world for the day or evening; of objects strewn about, of stuff full of sparkles, gold, jewels and powder.

First in a 22 part series of montages by German artist Peter Roehr

Second in a 22 part series of montages by german artist Peter Roehr

Third in a 22 part series of montages by german artist Peter Roehr

MONTAGE 11 FAST FORWARD REWIND is a palindrome video. The streets of the city of São Paulo mix with the streets of Rome and the past of my ancestors: Italians immigrants in Brazil. The camera goes around the ancient "House of the Immigrants" in the borough of Bras and mix with photos, memories, people, suggestions of the past and the present reality of São Paulo. The peculiar thing about this video was that the music was composed at the same time that the editing was made seeking for a perfect balance between sound and image. It has not been released in public yet.

Video essay that explores the relations between montage and music in Sergei Parajanov’s film Shadows of our forgotten ancestors (1965). Parajanov seems to perceive montage as an organic form, in this case, linked to death and grieving. The audiovisual perception is layered in a sensorial sequence that is associated through rhythms (visual and sound). The montage is shown as a dialectical thought. Every shot, sequence and montage is expressed as ancestors.