Using text from Mexican novelist Carlos Fuentes and ancient Aztec and Mayan poetry, viewers are lead on a visual journey through this country's rich and varied past and present. Stunning images and a dramatic musical score by Daniel Valdez create a vivid, insightful portrait of the Mexican people and their culture

"In Mexico, experimental filmmakers Hoolboom and Steve Sanguedolce set out to dissect the travel bug. Hoolboom's deadpan, incisive voice-over offers the viewer the air-tight experience of a Third World holiday, while images from an archaeological museum to a bullfight to an auto factory establish the dual contexts of tourism and Free Trade." (Toronto International Festival Catalogue)

Oswald's rooster fights Pete's rooster in a brawl south of the border.

Black screen. Background noises and rumors of everyday life, suddenly interrupted by the screams of the witnesses of the crash of flight AA11 against the North Tower of the World Trade Center. While the black screen is occasionally interrupted by the repertoire images of the attacks, the voices of the announcements on television, the screams of the victims, the explosions of the planes, the calls made by the victims and their relatives overlap. The sound stops and you can see the two towers collapse without sound. The background voices start again on a background of violins, while the screen gradually changes from black to white. Two writings appear (one in Arabic characters and one in Latin characters) of the same meaning: "Does God's light guide us or blind us?" The sentences finally disappear in a blinding light.

2023 digital work by Barry Gerson

Mercedes works as a cabaret performer to pay for her sister's studies. Problems begin when Mercedes and Paco, her exploiter, win a dance contest, but he refuses to share the prize with her.

Vincent Etchebar is spotted by the impresario Cartoni who gives him the opportunity to break into Paris. But nothing will go as planned.

In June of this year we were fortunate enough to return to Mexico City for three sold out shows at Foro Sol Stadium and with 155,000 of you there over the three nights, we knew it would be extra special. So we asked our friend Wayne Isham to join us with a film crew and the results of that crazy, magical, most memorable long weekend are shown here on this single disc pressing.

Eisenstein shows us Mexico in this movie, its history and its culture. He believes, that Mexico can become a modern state.

Eight tales based on the most brutally terrifying Mexican traditions and legends, an anthology of haunting stories woven into the fabric of the Mexican culture, some told through the centuries and some new, but all equally frightening. Bogeymen, trolls, ghosts, monsters, all brought to life. Time for Aztec sacrifices. This is the Day of the Dead.

A CIA agent hires hitman "El Mariachi" to assassinate a Mexican general hired by a drug kingpin attempting a coup d'état.

The space will be witness of dreams, hopes, disappointments and dramatic destinies of its residents, delivering an intimate human history of Mexico through the decades. La Habitación will reunite eight directors that will expose the reality of each historical period resulting in a profound and inspiring portrait of modern Mexico.

From Diego Luna and Alejandro Fernandez, to Carla Morrison and Chavela Vargas, Duncan Bridgeman weaves a cinematic tapestry composed of original songs and insights from the most iconic artists and performers of contemporary Mexico. With striking visuals, the movie captures the rich diversity of Mexican geography, art, music, and culture. It is a rare look at the country's real identity, and an unparalleled celebration of what it truly means to be "Hecho en Mexico."

After his grandfather's death, a man travels with his wife and kids to his hometown, where chaos ensues with his relatives over the inheritance.

Unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931-32. This record only represents the 200,000-plus feet of unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931/32 for Mary and Upton Sinclair and three American co-financiers. It was Eisenstein's vision to end up with movie about Mexico in six parts called "Calavera", "Sandunga", "Maguey", "Fiesta", "Soldadera", and "Epilogue". The project was canceled before it was completed due to cost overruns and months-delayed completion, and the producers refused to let Eisenstein attempt to edit anything from the material he had finished after Iosif Stalin called him back to the USSR. From this footage the following pictures were subsequently edited by other hands: Thunder Over Mexico (1933), Eisenstein in Mexico (1933), Death Day (1934), Time in the Sun (1940), and Que Viva Mexico (1979).

A dramatization of John Reed's newspaper accounts of the Mexican Revolution. Considered the first real film in Mexican cinema to be made on the Mexican Revolution.

It follows the resistance to modernization in rural Mexico. It is a reminder that it is still possible to live in tune with our essence as human beings.

Short feature film about a colonist who gets caught up in the revolution in Mexico. Back at home, they anxiously wait for news. A Telegram from Mexico is one of the short fictional films that Filmfabriek Hollandia produced before the First World War. The film, directed by Louis H. Chrispijn Sr., tells the story of Willem Vandoorn, a Dutch colonist in Mexico. When the revolution breaks out, the young man decides to go back to his homeland. He sends his parents a telegram announcing his planned return. When his journey is delayed by a rebel attack, his parents - already worried about the many dramatic newspaper articles - fear the worst. These nervous suspicions even lead the blind father to have a vision, in which he sees his son's execution.

Documentary depicting Mexican society, in honor of the 1968 Olympic Games in Mexico City. With a prologue by José Revueltas.