A young couple's dream of starting a family shatters as they descend into the depths of paranoia and must struggle to survive an evil presence that wants nothing more than their very own lives.

Isabelle is a famous and beloved actress from the Netherlands, who disappears when on Holiday in Belgium. She has been kidnapped by bartender Jeanne Bitor, an artist with a disfigured face. Jeanne is very bitter about her 'ugly' appearance, and she is obsessed with the process of dying and deterioration of animals and humans. Therefore, she abducts Isabelle and starves her to death, while painting her in different phases of the process.

Bruno devises a mean to test the love of his girlfriend Isabelle. Since Isabelle had been in love with Alain in the past, Bruno invites Alain to a surprise birthday party for her at a hotel -- what better way to judge her feelings than to get them together? Alain arrives with his current girlfriend Lio. Soon after the two couples start the evening off, their polite exteriors deteriorate.

Isabelle Huppert is one of the most famous French actresses. In this portrait she reflects in voice over on her movies and her craft. She seems to like characters that are neurotic, dramatic and even dangerous. Huppert considers every character a means to discover things about herself.

In the early 1950s, in a seaside town, Isabelle, a girl in her late teens,is about to spend an apparently eventless summer between her mother, her friends and a small job for a photographer whose business is lagging. But Isabelle is not the mentally balanced young lady she seems to be. In fact she is doubly traumatized, firstly by the rape she suffered eight years before from a Nazi officer and secondly by the suicide of her father shortly after. What she wants deep inside herself is to find a man, young or less young, who will bring her tenderness and happiness. Will Luc, a young German, or Monsieur Vaudois, her married boss, give her what she lacks ?

During a summer spent with her cousins, whose freedom and incessant flirting at first surprised her, young Isabelle met a charming playmate whom her mother and aunt, worried about this tender friendship, forbade her to see again. This doesn't stop Isabelle from meeting Yves and learning that friendship and love are not the same thing: the sweet little friend is left alone with his dreams and the memory of a too-pretty girlfriend.

Documentary that retraces Isabelle Adjani's life and career.

When a 5-year-old girl falls from her father's apartment, her mother embarks on a quest for justice — and is put under the national spotlight.

Isabelle is an inspired dancer, but when her sister and a classmate make her doubt herself, she's motivated by a ballerina to find her own way to shine.

Story of a young woman journalist who becomes enmeshed in the politics of the annexation of Morrocco from Algeria at the turn of the twentieth century.

Two young girls experience awakening sexuality in the heated atmosphere of a Swiss girls' boarding school.

A Macao police officer's bachelor life is interrupted by the daughter he never knew he fathered.

An Alsacian Baron massacres the family of a French Duke, and takes his lands and his title. Isabella, the Duke's baby child, escapes the massacre, is raised by gypsies, and comes back twenty years later to exact revenge.

In 1971, in the small town of Shirley Falls, in Maine, the odd and lonely secretary Isabelle Goodrow raises her teenager daughter Amy alone. She has only two friends in her job among her gossiper colleagues. When her overprotected daughter is seduced by her mathematic teacher Peter Robertson, the world of Isabelle falls apart. She becomes lost and loses her confidence on Amy, spoiling their relationship. Their bond gets tied again when Isabelle discloses her inner secrets from the past to Amy.

Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

Serge Toubiana spent a year in the company of Isabelle Huppert. Where she went, he followed. Huppert is an around-the-clock actress so she doesn't need the cinema to exist – she embodies the cinema. When she's not performing, she doesn't exist. From film to film, on stage as on screen, Huppert invites us to survey those inner landscapes of hers that we don't yet know.