Baba Shamal and Looti Heydar, two community leaders of adjacent neighbourhoods make a pact of fraternity. Baba Shamal's high attitude of Heydar however dramatically changes when he is told that Heydar has been enamoured with Shokat, the girl Baba Shamal has just wed,...

Sozenji Baba is a 1928 black and white Japanese silent film directed by Masahiro Makino. It is an ambitious film in which Makino deals with the difficult issue of the agony of a person who killed for revenge.

A cult Soviet musical based on Ali Baba story with spoken-word interludes stylized as Persian poetry.

Ali seeks to achieve his personal interest even if it is at the expense of others, and if he is surprised that he has a daughter in her twenties, then here are the comic contradictions in which he falls.

An evil wizard finds King Solomon's magic lantern, but Solomon's curse prevents him from taking it - only someone born the same month, same day and same hour as Solomon can take it. That someone is Ali Baba, a poor, kind-hearted lad who lives with his brother, Ali Mama (Eric Tsang). When Ali Baba sees the 40 thieves enter their hideout and learns the ritual needed for entrance, he steals some gold and jewels. The 40 find out and capture Ali Baba, but he is saved by the evil wizard and taken to retrieve the magic lantern. Ali Baba releases the genie...and you know the story. It all culminates in a chase, the wizard on a flying horse and Ali Baba on his flying carpet.

Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn't like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti's mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti's refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable.

Meghroddur, a single father in his 40s, falls for Brishti.

She gets entangled with three men who want her: her suitor, her ex-boyfriend and her boss. But there's another one who wants to control and turn her into a sex monster.

The witch Yubaba from Spirited Away faces the viewer then laughs exaggeratedly, her mouth wide open. She spins around 180 degrees and a baby bird comes out of her hair, singing. The bird disappears in the hair of the witch who resumes her initial position and leaves with a great burst of laughter.

Inspired by the 1950s cinema screenings in Cairo's sha'abi quarters, this double feature includes a space odyssey and a farm animal protector.

Bugs and Daffy get lost on the way to Pismo Beach, and find a cave full of treasure in the Arabian Desert, guarded by Hassan.

After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.

Ali Baba lives in poverty while his brother Qasim lives a wealthy life. One day Ali Baba discovers a secret cave which contains countless treasures. He tries to solve his financial problems with thehe contents of the cave, but as Qasim enters the picture, things turn irreversibly.

When Misha the Bear was chosen as the mascot for the Olympic Games 1980, Baba-yaga (the witch) sets out to fight and become the mascot herself.

In a land far away and full of ancient marvels, the battles of the young prince Ali, fighting for the succession of his land and the freedom of his people, take place at the hands of a terrible tyrant.

“Baba” spent 30 years of his life working in Saudi Arabia while his daughters grew up in Cairo. Much of their relationship was created and preserved through videos exchanged over the years. When they are reunited, none of the family members completely manage to abandon this form of communication, as if trapped in the logic of exile.

The cycle of life marked by trauma: intensive trip into the memories of fundamental traumatic experiences of one's childhood which determine the future persona