Jóhann is a thirty year old guesthouse owner in downtown Reykjavík who has isolated himself socially after the death of his father. The guesthouse has no visitors until his nine year old neighbour starts visiting Jóhann which leads to a unlikely friendship.

Renato Nicolini is travelling along the Grande Raccordo Anulare. The traffic flows behind him like thoughts that have been triggered in a logic of free association. His story consists of memories and connections that span esoteric suggestions, city-planning considerations, and metropolitan legends.

In their village in Guinea-Bissau, everyone knows the twins Renildo and Vanildo, because they’re always dancing. Mama Dila takes care of them in the village, because their mother died when they were just a year old. They only see their hardworking father from time to time. They’re going to visit him again soon, and as a surprise, they want to dance for him. Their father’s approval is very important to them, so they practice a lot. But he’s mainly focused on their grades, will he also appreciate their dancing?

Eleven-year-old Rena has been living in a pleasant orphanage since she was young. She cares for her “siblings” so much that she often makes trouble every time a potential adopter comes. But when a mysterious guest, Yudha, arrives, Rena is worried that she has come to adopt one of them.

Rendez-vous of the Docks reconstituted the mythic docks' refusing to load arms for Indochina War in the Marseilles's port. This film captivates by his realistic force. Shot clandestinely using non-professional actors in natural locations, with the camera on his shoulder, Carpita anticipated "la Nouvelle Vague." He is considered the one of the unique French neorealist in film history, the missing link between Jean Renoir’s Toni and Jean-Luc Godard’s Breathless. At the premiere of Rendez-vous of the Docks, cops interrupted the screening and brought the film back to the police station. This film is the longest censored film of the history of French cinema. For 35 years, Paul Carpita thought his film had been destroyed by censorship.

The Basilica di Santa Maria del Fiore is the main church of Florence, Italy. It was one of the most impressive projects of the Renaissance. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with marble panels in various shades of green and pink bordered by white. The basilica is one of Italy's largest churches and, until development of new structural materials in the modern era was the largest in the world. It remains the largest brick dome ever constructed.

Renata Litvinova's short film for Ulyana Sergeenko's Fall-Winter 2021/2022 Haute Couture collection, inspired by the beauty of Karelia: its lush green forests, winding rivers and idyllic Lake Ladoga and Lake Onega.

Montage of one scene from Othon and set photos, made for a celebration of Renato Berta’s birthday at Stadtkino Basel on April 1, 2015.

Five men work together in a communal effort to build a skiff on Ile-aux-Coudres, an island in the St. Lawrence River. It is built in a traditional fashion, all the more remarkable because no blueprint is used. The film does not merely record a building tradition, it reveals the character of the craftsmen, who are influenced by a pre-industrial way of life underscored by spontaneity and wit.

Interview with the wife of French film director René Clair about his life and work.

The love of a singer and his mistress suffers a setback.

RAISING RENEE is the story of a family's remarkable response to being broken apart and rearranged after nearly 50 years. The film explores deep themes of family, race, class and disability through the interplay of painting, cinema and everyday life. Produced and directed by Oscar nominees Jeanne Jordan and Steven Ascher, RAISING RENEE is the third part of a trilogy about resilient families that includes their acclaimed feature documentaries So Much So Fast and Sundance Grand Jury Prize winner Troublesome Creek. RAISING RENEE is about a unique group of women, the tenacity of family bonds and the power of art to transform experience into something beyond words.

The title of the interview is from a line in a poem written by an American about the battle of Ypern in World War I: “My rendezvous with Death took place in a trench.” Müller begins the interview by narrating how he prepared himself, both mentally and physically, for his throat operation to remove a cancer.

Showing room at the military prison at Rennes in which Dreyfus the accused is confined. He is visited by his counsel, Maître Labori and Demange, with whom he is seen in animated conversation. A visit from his wife is announced, who enters. The meeting of the husband and wife is most pathetic and emotional.

A girl has been sent back in time from 500 years in the future because she has been deemed unnecessary there. Naturally, she has trouble fitting in, until one day, she meets a mysterious transfer student...

Di Renjie is an investigator looking into a seemingly dull murder case. But when his superiors start opposing his tactics, he starts to believe there must be a larger conspiracy at play.

A faux-documentary about a group of young people who have disappeared.

The vicissitudes of showbiz take the hero Renart (Gerald Battiaz) and his wife Hermeline (Francoise Dupertuis) from up to down and back again in this brief drama. Renart entertains at a nightclub by pulling objects out of a suitcase on stage and creating a wide range of sound effects with his collection of odds and ends. All goes well until his wife is fired from her job at the club because she is pregnant. That infuriates Renart, and he quits. The couple then take off for the mountains and open up a club of their own, but now when he is the owner, Renart is transformed for the worse.