“Farah,” a bread seller, walks the streets of a Middle Eastern town, while an American military vehicle, surrounded by soldiers, slowly passes by. A moment’s silence. Then, a devastating explosion. Civilians are bloodied, wounded. The horrors of war. “Farah” looks around aghast and wailing. But nothing here is quite what it seems. In fact, “Farah” is a character played by an aspiring actress called Laila. And this isn’t Iraq, but a replica village erected on the Fort Irwin army base in California, used to train American troops before being sent abroad. Laila believes her acting talents are being wasted away in this arid simulation, where female role-players are limited to mute, background roles. She takes things much more seriously. Laila plots her way out.

Two friends are into shakotan, the Japanese term for low-riders. The adventure of low-riding youths includes picking up girls and cross-cultural drag racing.

Dr. Mikami is an elderly somewhat clumsy, very popular therapist, his patients turn to him with all possible and impossible questions. Because Dr. Mikami's specialty is sexual clarification... The world's best-selling sex literature was filmed here in a manner close to the original. And the openness of the image shows the shocking conflicts of young people in scenes that were never filmed. Shocking documents about sex life from the doctor's office.