The evil Jafar escapes from the magic lamp as an all-powerful genie, ready to plot his revenge against Aladdin. From battling elusive villains atop winged horses, to dodging flames inside an exploding lava pit, it's up to Aladdin - with Princess Jasmine and the outrageously funny Genie by his side - to save the kingdom once and for all.

Jafar Panahi and fellow Iranian director Majid Barzegar take a 20-minute drive to Kiarostami’s grave, during which time “the two friends speak appropriately of cinema, but also censorship and festivals, police power and ideology.”

Did you ever realise some people that would not sit next to them in a bus, or talk them. We eve hesitate to have a loot at this people but stare secretly. Sometimes those people against whom we have a lot of prejudices, are a part of our society, we just don't realise that, until we face some circumstances and really look into those people...

Jafar Khan, son of a rich traditional family in Tehran, comes back to Iran after spending 8 years for studying in Europe, but he has changed completely to the extent that he cannot even speaks Farsi properly.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…