A self-centred teenager struggles to ignore the drama of the people around him.

A houswife, tired of her everyday routine, makes changes in her hair, her wardrobe and her makeup, and begins to take on the personality of a woman who had died five years earlier.

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin, and their mischievous gang of pick pockets. But the enjoyment is short-lived as he falls under the influence of the vicious Bill Sykes. This production was specially filmed for audiences to enjoy online at home and features creatively integrated sign language, audio description, and captioning.

Pauline Oliveros isn’t just one of the most influential 20th century composers , she’s literally changed the way many people hear and play music through the work of her Deep Listening Institute. Now she will be the subject of a new documentary from filmmaker Daniel Weintraub that will follow her career as well as examine the “deep listening concept”.

A look at the life and career of Oliver Postgate

In part two of this six part series Oliver Tambo is sent abroad to run the ANC after it is banned in South Africa in 1960. This episode traces Tambo's efforts to bring the injustice of apartheid to the world's attention. He insists that the apartheid regime can be brought to the negotiating table if the governments would sanction and isolate South Africa, which economically and culturally depends on its links to the western world. Major allies are found, most notably the nations of Africa, and the governments of Sweden, Norway and the Soviet Union. The ANC's efforts are boosted in South Africa by the Soweto uprising and the murder of Steve Biko. South Africa becomes more than a country; it is a cause, a worldwide emblem for injustice. A major victory is won: a United Nations mandatory arms embargo, the first in history. But no one will sanction South Africa economically and by the time the story ends a bloodbath seems inevitable

The Sensual Nature of Sound portrays four New York based composers and performers in terms of their musical lives and artistic passion. Though Laurie Anderson, Tania Leon, Meredith Monk and Pauline Oliveros are all pioneers in American music, each composer pursues a distinct direction of her own. Their rehearsals and performances show a common pursuit of lyrical storytelling through which a new set of contemporary narratives has been forged. Through body, sound, movement and composition, these women have forged their own path through the wild world of modern music.

A purely acoustic collage whose sounds seem by nature indefinable and yet somehow organic. They mesmerise us, occasionally make us shiver at some unknown thing. Gravity seems to be suspended. This piece needs no images, because they will intuitively materialise before our inner eye like thousands of hallucinations.

“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho

The New Year's tragicomedy "Olivier" tells how, having prepared a bunch of food and a bowl of salad "Olivier", Lucy remains completely alone for the New Year. Unable to survive this, Lucy orders Santa Claus, but who will he turn out to be?

Olivia, who sells knives for a living, develops a romantic obsession over her next door neighbor.

Teresa, a former Cuban combatant, fixes her television to see Obama's arrival in Cuba. She reacts to this historic moment, which leads her to remember her life as a militant and her personal life.

Olivia, a 12-year-old middle class girl, is forced to reorganize her basic needs when her family (mother, little brother and herself) is evicted and forced to live in a squatted apartment on the edge of the big city, in a rough neighborhood. Her mother can no longer bear the situation and falls in a depression, so Olivia has to replace her. It means caring for her brother and her own mother, while dealing with the feeling of an emotional earthquake. But she is not alone, Olivia will make friends that will help her to see her own life from other points of view. Because things don’t always happen the way we want, but we can choose the way we live them.

"A renowned composer and organist, Olivier Messiaen was also a great teacher. Michel Fano, who took his composition class at the Paris Conservatory, films some of the privileged moments of his teaching. This film, co-directed with Denise Tual, also shows Messiaen as a devotee, an ornithologist, and a synaesthete, evoking the fundamental concepts of his inspiration with an often sparkling ease (the musician imitating certain bird songs in a manner reminiscent of Rouch recreating the cries of wizards for certain films). In this way, the film boldly collides sequences with visual or sound correspondences, the directors succeeding in dragging us into the world of mystery and dreams dear to the musician." (François Waledisch)

Like many Palestinian families, the Amers live surrounded by the infamous West Bank Wall where their daily lives are dominated by electrified fences, locks and a constant swarm of armed soldiers. Through director Carolina Rivas' sensitive lens, we discover the private world of all eight members of the family. As their dramas unfold, we catch a glimpse of their constant struggles and the small, endearing details that sustain them, including olive trees, two small donkeys and their many friendships. Constructed with a combination of verité scenes and re-enactments, this poignant and richly crafted film offers its audience a much needed opportunity to reflect on the effects of racial segregation, the meaning of borders and the absurdity of war

The legendary British-American actress Olivia de Havilland (1916-2020), who conquered Hollywood in the thirties, challenged the film industry when, in 1943, she took on the all-powerful producer Jack Warner in court, forever changing the ruthless working conditions that restricted the essential rights and freedom of artists.