When Eve, an interior designer, is deserted by her husband of many years, Arthur, the emotionally glacial relationships of the three grown-up daughters are laid bare. Twisted by jealousy, insecurity and resentment, Renata, a successful writer; Joey, a woman crippled by indecision; and Flyn, a budding actress; struggle to communicate for the sake of their shattered mother. But when their father unexpectedly falls for another woman, his decision to remarry sets in motion a terrible twist of fate…

"It’s remarkably contagious thinking about how much I’m willing to belong to the ones I love," says Tennis frontwoman Alaina Moore in this beautiful short-film, 'Interiors', which features music from the band’s 'Yours Conditionally’ album, and was created in collaboration with Vinyl Me, Please.

A one-take observational piece about the microcosm of Islamic practices and class segregation in Bangladesh's capital city Dhaka.

A one-take observational piece about the microcosm of Islamic practices and class segregation in Bangladesh's capital Dhaka. Multiplicity within a Muslim community and the passage of people through one single frame documents this society's interiors and exteriors.

Sheltered domesticities and a desire to escape them are laced through Alexis McCrimmon's "Ocean of Interiors". In this film-poem, oceanic space is mapped against an inner self. Slow-motion shots of concrete floors, urban environments, and everyday objects of the home are juxtaposed with the dreams of a young woman seeking to break out from her landlocked environment.

The influential, provocative, and often radical art-making practices of Vito Acconci have earned him international recognition. Acconci has been a vital presence in contemporary art since the late 1960s; his confrontational and ultimately political works have evolved from writing to conceptual art, bodyworks, performance, film, video, multimedia installation and architectural sculpture. This catalogue presents a complete selection of a wide range of Acconci's works (accompanied by a text on each project), an interview with the artist, an extensive bibliography, and includes a DVD with three 20-minute videos in which Acconci narrates.

This BAFTA nominated animated short was commissioned by Channel 4's MOMI residency scheme. It tells a darkly comic story about procrastination in which a man becomes entangled in his own domestic web. Repeatedly unsuccessful attempts to leave his flat set off a series of chain reactions ensuring his inevitable descent into chaos! The film is a psychological drama that strikes a universal chord by depicting the character in the grip of this common neurosis.

Changes of spatial relationships, scales, locations, and materials are intimated with recognisable clues which nevertheless do not always eliminate the former understanding of the images. These and other levels of ambiguity are instilled, which shake the photographic image’s authority as a principle of reality by confronting it with its illusory nature. We are back with magic, made possible with black and white film, shadows and lights, the limitations of the screen and the depth of field. So as when film grains, dots in deep space, disintegrate the solidity and enclosureness of a wall, the intentions of the film and the transforming events accumulate at a very intimate level of the viewer, that is at the level of the mechanism of his understanding.

When all is long forgotten, how do we forgive ourselves?

With her father dead and her mother hospitalized, Futami lives with her grandmother suffering from dementia. Then a friend, who just ran away from home, comes to “visit” Futami. Winner of the “1st 16mm Film Production Assistance Award”, which preceded the PFF Scholarship award .

A story which might take place in anybody's life. The death of a person starts a chain reaction which involves the neighbours. A satire of the world we live in based on a true story.

Follows the fraught dynamic between a lonely boy and his mother within the home that may feel more like a prison to them both.

The film is about travelling on horseback across the Icelandic interior on the main route, which once connected the north of Iceland with the shout. This route was the scene of a tragic accident in the 18th century, when young farmers moving a flock of sheep to the North, perished in a snowstorm. For many years following the incident the track was not used, until the 19th century, when Captain Daniel Bruun from Denmark, accompanied by a photographer and a water-colour artist, crossed the difficult terrain, deep rivers, and rocky heights in sun, rain, fog and wind, marking the way with stones laboriously heaped into cairns.

The events of the movie takes place around the film industry conflicts through a crime that takes place during the shooting of a movie. The crime uncovers the corruption and the illegal methods some producers use to fund their movies through the life of a a famous producer called Rasha Farid

Life consists of worries, household chores, talk at dinner, study, fatigue and the desire to sleep. But you are still happy if your family is strong, and there are thousands of favorite things around you - from Christmas toys from my mother's childhood to Scarlatti's music, which my grandfather ordered you to listen to. Katya in the last months of pregnancy and in the process of completing the thesis - and not simple, but man-made. Katya is an illustrator and makes a children's book. Tale. About Ersh Ershovich. Stephanie will be born soon, this tale and this film are the first gifts from her parents.

In an evicted apartment, a ghost-like presence remembers its luminous past and its progression towards its current state of decay. It yearns to be what it once was.

The film focuses on skaters from Carazinho, Rio Grande do Sul, and their only skatepark. It exposes, through interviews and tracking shots, the DIY approach taken by them due to the local government's inability to provide decent parks.

Based on a personal experience of one of the directors, this film is an ironic tribute to the famous hidden camera television show called "Taxicab Confessions", and to New York City.

Benjamin Kling is an audio describer. He translates movies for blind and visually impaired viewers. After more than a hundred audio described films and series and while working on Alfred Hitchcock's Suspicion, he feels the need to question his practice: is he too objective? Does he do justice to the films in all their diversity, in all their art, in the craft of the director? To answer these questions, he decides to meet blind and visually impaired people from different backgrounds. He wants to learn more about their singular way of "watching" films (they insist on saying “watching a movie”) and their expectations about audio description. What can we learn, us as sighted persons, from their way of experiencing cinema?