A girl named Sara recalls her senior year of high school and the intense crush she had on another girl.

Emily - Third Party Speculation is the second of a ‘domestic trilogy’ exploring the relationship between the restricted camera viewpoint and the construction of documentary narrative. The other two films in the series are Blackbird Descending - tense alignment and Finnegan's Chin - temporal economy. Constructed around the repetition of ‘neutral’ domestic scenes, this film attempts to address the problems of identification in cinema.

Standing at the alter hopeless romantic Emily is seconds away from sealing the deal, but in a moment of distress she flees. Taking refuge in an old fashioned sound studio she is able to persuade herself to go back, but getting back is more complicated than expected... Emily is thrown into 50's Hollywood version of Paris without a way to get back. Her only hope for returning in time lies in the hands of the man who has no intention to lose her. In a series of Screwball-esque clashes and musical numbers Emily takes heed of her true feelings, but is she ready to act on them?

When Europe turns to chaos, Emily must hold out in her apartment in hope of reuniting with her loved one. The promise to wait becomes increasingly difficult to keep, as desperation grows and hope dwindles.

This documentary offers a brief look into the extraordinary life of Emily Hobhouse (9 April 1860 – 8 June 1926) – a British welfare campaigner – whom singlehandedly took on the British establishment during the Anglo-Boer War (1899-1902) over its treatment of Boer woman and children in British concentration camps.

Anne’s niece Emily dies. Anne goes into a deep depression. (Liz Coffey)

Emily uses more than ten different forms of transportation to travel from her home in pioneer Ontario and meet her cousins in Quebec in the 1850s. She paddles a canoe, rides a horse, drives a farm wagon and guides a timber raft as she takes a number of days to complete a journey that would be no more than an afternoon's drive today. Part of a series of children's pioneer stories.

School begins, and one day at a time, Emily and her new classmates learn new ideas, expand their world, and grow closer together.

When Emily (the daughter of Holocaust concentration camp survivors) meets Gitta (a German-raised woman who considers herself removed from the events of the Holocaust), their burgeoning passion for one another is threatened by their markedly different relationships to history and memory. Negotiating, coping with, and transcending the past are the hallmarks of this compelling drama.

As the 'slant of light' comes and goes in a Massachusetts studio c. 1850, Emily summons up an English poet from an earlier age. Her playful vision of love and life ends in the unique photograph of Dickinson that survives today.

This sci-fi rom-com follows Emily whose fiance, mid marriage ceremony, is abducted by a beam from the sky, and when it makes the news Emily finds herself sucked into her bright spotlight of fame.

The British Columbia painter discovers the artistic muse that will drive her life's work.

Artist Emily Hubley presents this collection of surreal animated short films, which explores a woman's encounter with her guardian angel, a girl's diary entries springing to life, a grandmother sharing her beliefs, and a surprising series of dreams. The daughter of famed animators John and Faith Hubley, Emily has won awards and praise for her unique manner of examining everyday problems. Her work has appeared at the Museum of Modern Art.

"I live inside a box, but one day I will live outside the box" Most people keep their trauma locked up inside but for Emily, opening her "n=box of trauma" and confronting a painful past is the only chance to break free. The film takes place entirely within a red box.

This installment of the Great Women Writers series celebrates American poet Emily Dickinson's works by reciting passages against the backdrop of rare archival photographs and authentic period imagery. Though she wrote more than 2,500 poems during her lifetime -- verses that reveal singular talent and complexity -- Dickinson (1830-1886) chose to publish only seven, making her one of the most reclusive American writers of all time.

A brief history of Grindhouse cinema presented by Emily Booth

Travel back to Victorian Britain and wander the cobbled streets of Haworth to the sites that inspired the great Brontë sisters’ classic novels.

Women's rights activist, jurist, and author Emily Murphy's quest for equal rights for women.