Lost on a train of thought tunneling through the dark night of his unconscious, a former rabbinical student struggles to resolve a paralyzing conflict between his mind and his body.

A menagerie of miniscule human stories of changing India, from history of early computers to the myth of present IT bubble, both sides of development and progress.

A half-Jewish, half-Irish Southern belle's cocktail-fueled life of shopping and vlogging takes a turn for the strange and hilarious when daddy stops paying her bills.

This dreamlike, hypnotic work is structured in four sections, each of which repeats, in various permutations, key visual and verbal systems. Part One introduces the main theme — a poetic text, music, and a set of images that relate to language play in the text. The sections Key/Code, Translations and Adagio systematically translate and abstract these elements, as in a theme and variations. Images and spoken text are subtly interwoven in an insistent rhythm of sonic and visual codes, a language of "telling motions" and gestures: A gyroscope turns in a shaft of light, hands twist in slow motion, a figure signals with flags on a train track. Seaman writes that he "explores repetition and change based on context and treatment, (and) the relative nature of time."

Trails in Motion is an international segment racing film tour offering an approximately 90-minute selection of the best short and mid-length trail running films from around the world.

A collage film slipping between narrative starts of images and sounds

Through the Motions is an intimate, immersive sound and video installation exploring human engagement with Earth and nature. The film draws parallels between how we as humans harvest natural resources and exploit or trample them, with what we consider pragmatic and efficient.

'Motion Pictures for Wall Frames: Vol 1' is the first in a series of experimental films by filmmaker Lee Eubanks. The series is focused on infusing environments of motion and time inherent in cinema with traditional visual art themes. 'Volume 1' involves six scenes which each showcase a different genre of photography or painting interpreted through cinematic movement and duration. Each scene is comprised of a single stationary shot reaching the 30-second maximum shot length of the hand-wound Krasnogorsk-3 camera. While 'Motion Pictures for Wall Frames' can be screened through traditional cinematic formats, the project is designed to be shown framed on a wall, either through projection or digital picture screen, much like a framed photograph or canvas. This concept originated from Eubanks' desire to see works of cinema showcased similarly to how pictures and paintings are commonly displayed across the world.

16mm experimental film shown at 4 frames per second

Brilliant inventor, Jack, has built an impossible object: a perpetual motion machine. Now all he has to do is pitch his idea. After all, even impossible inventions need funding.

Tune in October 28th for a MIW Deadstream Event: Performing CREATURES in its entirety

Kicking off the summer of 2021 with a Deadstream sequel! We will be performing from the Pennhurst Asylum in Pennsylvania on June 9th. We are so excited to play for all of you across the world again and to do it in such a special and unique location.

16mm film from 2002.

Billed as the muslim view on the war on terror it covers a variety of topics: * The reasons behind the gulf war/saddam * history of the freemasons/were originally christian heretics after the capture of jerusalem/Al Aqsa * how they came to control England/France and then the US * The dajjal * they'r involvement in the entertainments industry * how they plan to assume control using ID cards * they're link with thie roschilds * only hope against them is Islam * the atrocities they have already committed using the UN * the AIDS virus

A historical overview of the development of the motion picture industry.

Motion Vision was originally screened in alternation with slides as part of the rotating installation Rotor Vision, in Rome in 1967 for the seminal group show at L’Attico entitled Fuoco, Immagine, Acqua, Terra with the participation of Mario Bignardi, Mario Ceroli, Piero Gilardi, Jannis Kounellis, Pino Pascali and Michelangelo Pistoletto. In Motion Vision Bignardi constructs a curious repertoire of animal profiles drawn in colour on paper, alternated with pop icons and a sequence of everyday gestures: from the tying of neckties the film passes to walking nude figures in slow motion, alluding to Muybridge and his chronophotography. —Tate Modern

The visual companion to Owen's "Like It's Summer Album"