Arcelia takes care of her lifetime partner Lulu. Julian, a teenager exploring his identity, lives under the watch of his conservative mother. A sudden event will draw an unexpected path between the old couple and Julian.

Drama from Hong Kong directed by Chu Kei.

A taxi driver on the verge of losing his home shares a fleeting connection with an isolated foreign student.

A filmmaker meets a woman. Delicately, he starts videoing moments of their life together. He slowly realises he’s not storing memories, but making a film. He asks her permission to continue. After filming for a year, a 75-minute edit is ready…

Does gender = sexuality? How does the family define gender roles? What are the dangers when society coerces gender norms? What deep-seated social fears are unleashed by those who flout those prescribed roles? What is New Gender Politics? These are just a few of the topical issues explored in the film. In addition, Butler covers a wide range of subjects, broaching not only controversial gender issues-including transsexuality and intersexuality-but also 20th century Jewish philosophy, AIDS activism, criticism of state power and violence, gay marriage, and anti-Zionism.

Jomar visits his hometown in Bayawan City to retrace the memories he had when he was a child. Upon arriving, he meets Jj, a local from the area. Persistent in being a tour guide, Jomar who was hesitant at first, eventually gave in to Jj. They try the city’s local delicacies like “baye-baye” (a dessert made of grated coconut and ground corn or young rice) and “batchoy” (a noodle soup made with sliced pork, innards, cracklings, and round noodles) while exchanging family stories. A pleasant encounter indeed

One night. One man. One extraordinary encounter.

Rainer Burmeister (director) tells a story about everyday working life of 46 young Mozambican people in the GDR who were employed as contract workers. Among them is 20-year-old Luisa, who worked in the mining industry and, like the others, is now training to be a craftswoman.

"Tonino De Bernardi - Un tempo, un incontro" is a film about the duel between two friends who are very different from one another. Two different approaches, two characters, two views that only seem antithetical meet and then open up in front of a camera. Or, more precisely, in front of the cameras. On the one hand, the eye of Daniele Segre. On the other hand, Tonino's, which almost taints the film's aesthetics. The film's development conveys a sense of immediacy, which is a fundamental principle for both directors. Daniele films Tonino and Tonino films Daniele, and this takes place in a play of associations, and in the space of an encounter. The two directors have seized this opportunity to swap views and experiences.

Tshui-Giok’s step-father sells her to a club to pay off his debt. But when her boyfriend, Kok-Liong, learns about it he helps get her out and plans to marry her. However, Kok-Liong’s mother disapproves of the marriage and arranges for him to marry a wealthy girl, Hun-Kiau. Years later, when Kok-Liong and Tshui-Giok meet again, all their feelings return. Though Tshui-Giok ultimately decides to break up with Kok-Liong for the sake of Hun-Kiau, her leaving drives Kok-Liong mad and Hun-Kiau has no choice but to set Kok-Liong free, so he and Tshui-Giok can be together.

A group of artists set out on a quest of organising their own biennale in Istanbul.

This is a film about a man, with a peculiar itinirary, who worked hard to build a bridge between the Arab and the French cultures. A kind of testimony, alternating narration and conversations where the evocation of oneself becomes a curiosity of the other. There are men, whom by their achivements, bring shorelines closer to each other, Andé Miquel is one of them. The film tells why and how a young man from the Languedoc region in France, dreams one day of the other shore of the mediteriranean sea and is passionately interested in the language and Arab cultures to the point that it becomes a total vocation. Sometimes an encounter, a hazard, proves to be irreplaceable, indispensable and finally a destiny.

Director Junge was commissioned by the GDR in the country for the first time in the summer of 1970; his film In Syria auf Montage accompanies German engineers who train workers in the Homs textile factory. Shortly after filming ended, Hafez al-Assad put himself under the dictator. Twenty years later emerged ... the father stayed in the war over a youth club with Syrian orphans in Bad Saarow, whose fathers had died in the Lebanon war and accompanied them to Syria, where they were housed in separate, elite "schools of martyr children". Multi-faceted documents that oscillate between peaceful and tense, hopeful and unsettled.

Hong Kong romance.

An engineer falls in love with a girl from a village. A battle between progress and tradition.

A Chinese film

An elder remembers an encounter that took place between Sept-Îles and Caniaspiscau during difficult times. Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music.

Interview with Fritz Lang on the roof of Villa Malaparte on Capri during the filming of the fictitious film "Odysseus" and the filming of "Le mépris" by Jean-Luc Godard, in which Fritz Lang plays the role of an old film director called Lang. During the interview, excerpts from the long films "The Nibelungen", "The Tired Death" and "M" are shown.