The first in a planned series of films about radical filmmakers by film critic Nicole Brenez and filmmaker Philippe Grandrieux, It May Be That Beauty Has Strengthened Our Resolve is a portrait of Masao Adachi, who emerged during the Japanese New Wave of the 1960s as a screenwriter for Nagisa Oshima and Koji Wakamatsu, and directed a series of avant-garde films that grafted radical politics to the sexploitation genre. A 1971 visit to a Popular Front for the Liberation of Palestine (PFLP) training camp while on the way back from Cannes resulted in Adachi's most infamous film, the agit-prop documentary Red Army/PFLP: Declaration of World War, which he co-directed with Wakamatsu. Soon after, Adachi joined a splinter cell of the Japanese Red Army in Lebanon, where he stayed from 1974 until he was deported to Japan in 1997 to serve time for passport violations.

Chosen the world’s protector against the Seven Deadly Enemies of Man – pride, envy, greed, hatred, selfishness, laziness and injustice – young Billy Batson accepts his destiny as Captain Marvel. Battling alongside Superman against nefarious Black Adam, Billy soon discovers the challenge super heroes ultimately face: is it revenge or justice?

Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8-year-old daughter Warda. Their routine of housework and homework is interrupted one day by a knock on the door. It is Samia, a young woman looking for a job and a roof over her head. The little girl is immediately taken with the newcomer, but her mother initially refuses to allow a pregnant stranger into their home. Gradually, however, Abla's resolve softens and Samia's arrival begins to offer all of them the prospect of a new life.

A dying man Lord Gordon asks his niece Ada to find his son in Africa whom he left many years ago.

Sunday at spa. Husband Štovíček is observing what's going on. Mr Štovíček would like to have fun at the swimming pool, but can not because his wife wants to go on a trip with a friend of hers.

An engineer comes home from abroad to his waiting wife. After some time, his second wife, an Italian one, joins him. For a small town, such a triangle will turn out to be unacceptable, especially since the spouses live peacefully under one roof.

Roshan has a crush on Priya, his classmate. His friends pull out all stops to help him. Will Roshan find his true love?

Unplugged is an acoustic live album by Canadian musician Bryan Adams. The album was recorded completely in September 26, 1997 at the Hammerstein Ballroom in New York City. Adams was joined by Irish piper Davy Spillane and Michael Kamen who wrote orchestrations for many of the songs and brought students from the Juilliard School to play them. 1. Summer of '69 2. Cuts Like a Knife 3. I'm Ready 4. Back to You 5. Fits Ya Good 6. When You Love Someone 7. 18 'Til I Die 8. I Think About You 9. If You Wanna Be Bad -- You Gotta Be Good 10. Let's Make a Night to Remember 11. Wanna Be Your Underwear 12. A Little Love 13. Can't Stop This Thing We Started/It Ain't a Party. . . If You Can't Come 14. Heaven 15. I'll Always Be Right There

Adam, a 14-year-old boy travels across the country to meet a series of men who could be his father after finding a letter with a list of names and addresses.

Follows the events from "Ada: Senritsu-hen" but from the antagonist's point of view.

Mad mix of comedy and action as a family of thugs and Triads can't see eye to eye and so end up going fist to fist.

Adam receives a flashlight with special powers: every liar it shines on flies into the air. Production was cancelled in 1965/66 due to the film's political content. Only in 1989/90 could the director reconstruct the film, where missing sounds and images are replaced with script inserts.

Battered, broken and bereaved, a private investigator must muscle his way through a tangle of lies to uncover the truth behind a mansion murder.

Abu, a poor perfume seller, lives with his wife. The couple strives hard to make an honest attempt to go for the Hajj pilgrimage.

Teenagers are impressionable, but Adam more than most. When he goes to visit his grandmother in the hospital for a final goodbye, she croaks her final words, a comment about his “long torso”, causing his torso to literally extend. It’s been this way all Adam’s life, whenever his body is mocked, it distorts to reflect the callous comments of relatives and the targeted vitriol of fellow teens. His physical transformations are in some ways the least of his worries as he tries to navigate teenage life in late 90s Quebec complete with an impossible crush, pool parties, summer jobs, and a bit of existential dread. In his feature debut, director Joël Vaudreuil crafts a heartfelt portrait of teenage life, as incisive of its cruelties as it is rich in wildly creative absurd visual humor. Loaded with the weight of hindsight, it’s a reflection that never fails to be as funny as it is ultimately sincere.

Olympic Champion, Kiwi Icon, Tongan Leader, Orphan, Mother...winning was just part of the journey.

Eve and Adam meet in Eden. It soon becomes apparent that they don’t find each other particularly attractive. But do they have a choice? Writing helps. They each start keeping a diary about this first encounter between two human beings — from very different perspectives, as one might imagine. And as they get on each other’s nerves and recount terrible things about each other, they discover an unexpected new emotion: love.

Inspector Amar Kaushal attempts to incarcerate wrong-doers in his society only lead to frustration when they are let off by the incompetence of the law and his superiors and seniors. Eventually Amar stands accused of killing several criminals and innocents which prompts him to take law into his own hands.

A TV film based on single act drama written by Miroslav Krleza, that belongs to his expressionist phase. It was first published in 1922, and then regularly as a part of collection of plays called "Legends". By giving them this primordial biblical names, in this drama Krleza speaks about the intricate relation between two lovers, while interweaving reality and unreality, giving wider context of human relations to everything.