Julius, an eloquent young museum attendant loved by the people around him, invites his colleagues on a sailing trip on his aristocratic family's boat, but something goes wrong. Julius is not who he seems to be.

In a perfect world, a good citizen is questioned about that theoretical perfection.

The movie is divided into six distinct chapters, each one basically a video for the six songs that make up the soundtrack. The overall setting is a dystopian world in which the people are controlled by the sound of bells.

An auteur-director who wishes to make a documentary about Armenia imagines a fictitious character that has the ability to travel through bodies. The latter will alternatively embody: a young farmer that dreams to flee from the countryside to more urban spheres, a prostitute who is a survivor of rape, a narcissistic client, a fallen artist and finally, a resisting deserter.

At the risk of her group's safety, a young woman travels into a National Forest where her sister has become trapped in a multi-dimensional world of monsters.

Under a code of ABSOLUTE DISCRETION, guests are invited into the House of the Latitude, a place where truth and fiction are indistinguishable.

In the near future – nanotechnology exists that can alter your beliefs for a predetermined period of time. Marissa Carver, a non-violent pacifist seeks to avenge the death of her wife by using an Axiomatic device that suspends her moral convictions allowing her to exact revenge on her wife’s killer.

This documentary of the video game Axiom Verge, produced by 2 Player Productions, is included with the Multiverse Edition of the game.

Evoking the physiognomy of a Rembrandt portrait, Axiom of Choice depicts Jonas Mekas and his son Sebastian, their heads rotating in radiant chiaroscuro against a black ground. With Mekas at its center, the references to cinematic machinery abound in this work: from the proto-filmic zoetrope (which used a spinning cylinder to create the illusion of a moving image), to the flickering zoom of Ernie Gehr’s film Serene Velocity, to the enormous gyrating machine at the center of Michael Snow’s La Région Centrale. —Richard Birkett, Karin Schneider & Nicolás Guagnini

"There is a paradox in such artistically special (and significant) films as Sharits' very real and reflexively beautiful AXIOMATIC GRANULARITY. It is that in becoming so accessible and authentic through its refusal to be anything but itself - emulsion grain seen in color and movement - the film for most viewers is likely to be impenetrable ... the film begins to evoke a quiet flow of thought. That thought, however, is repeatedly returned to the light perceived on the screen as the film calls attention to itself through the random appearances of scratches, becoming simply and pleasantly what it is, refreshingly nothing more." - Anthony Bannon, Buffalo Evening News

The year is 2081,and mankind is no longer human.Take a trip through the mind of artificial intelligence astronaut Arthur C.Rudley as he is sent on Mission Zion.What will he do when he meets his maker?

A Mad Scientist sends a bounty hunter out to capture two unearth-lings from another dimension, who hold the key to the universe. The mad scientist plans to use the key for evil things.

Throughout three decades, Bill Laswell has been a constant innovator, fusing seemingly disparate genres into a whole new sound. Touching upon everything from worldbeat, funk, rock, hip-hop and jazz, there are no limits to his experimental approach. Among his many talents is his ability to bring together well-matched singers and players to create a distinct style that defies easy classification. His Soundstage episode embodies his unique approach, transcending any genre boundaries and delivering an engaging performance. From the World Beat of Tabla Beat Science, to the jazzy flavors of Pharoah Sanders backed by Material, it’s an exciting mix. Other surprises include a rocking Buckethead set that includes a little breakdancing and songs by Praxis. The show culminates with an all-star performance, funked up by Bootsy Collins.