Sasaki Michiko, a friend of Motoharu Jōnouchi’s, worked at Nikkatsu Studio’s editing department before enrolling at the Tokyo College of Photography to study photography under photography critic Shigemori Kōen. Her career stands out given that she coupled shooting the Nichidai Zenkyōtō (Nihon University All Campus Joint Struggle Committee) and stills for ATG films on the one hand, with managing bars in the Golden Gai district in Shinjuku on the other. Sasaki’s camera, though trained on the same scenery as Jōnouchi’s films, captured a ruined landscape alongside students’ day-to-day activities. Her independent film Itsuka shinunone (To Die Sometime), shot on 16mm film, combines her own photographs of the Nichidai Zenkyōtō with fragmentary footage of everyday life. One might consider it both a document of the period between 1968 and 1974, and Sasaki’s personal film diary.

As far as the photography world in Japan is concerned, the year 1968, a ‘season of politics’, saw the emergence of female practitioners; Watanabe Hitomi, for instance, who kept a watchful eye on many student struggles, and the collective Zen Nihon Gakusei Shahs Renmei (The All-Japan Student Association of Photographic Societies), who is said to have counted many women among its members. By contrast, few female artists can be found during this period within film arts in Japan, particularly expanded cinema. In this sense, the uniqueness of Sasaki’s activities cannot but attract our attention.