Hanan Turk

Zur Person

Bekannt für Darsteller

Auftritte 56

Geschlecht Weiblich

Geboren am 7. März 1975 (49 Jahre alt)

Geboren in Cairo, Egypt

Auch bekannt als

  • حنان ترك
  • Hanan Tork

Datenstand 

100

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Biografie

Hanan Hassan Mohamed A’bd Al Kareem was born in Cairo. She studied at the Ballet Institute and while performing in a production of “Macbeth” she was noticed by director Kheiry Bushara who nominated her for a role in the film title “Raghba Muttawahisha” (“Monstrous Desire”). Hanan has performed in several television productions amongst which is “al-Suqoot fee Bir Saba” (“Falling into Bir Saba”), “al-Mal wa al-Banoun” (“Property and Progeny”), “al-Sabr fee al-Mallahat”, “lan A’eesh fee Jalbab Abby” (“I Will not Live in My Father’s Robes”), “Opera A’ydah”, “Ameera fee A’bdin” (“A Princess in A’bdin”), “Nisf Rabee’ al-Aakhar” (“The Middle of Next Spring”). Moreover the actress has also partaken in the cinema production “Fee al-Ou’shq wa al-Saffar” (“Love and Journeying”). Hanan is considered among the most talented performers of her generation and can be seen in her finest form in “al-Mohajjir” (“The Emigrant”), “al-Aakhar” (“The Other”) and “Sahr al-Layaly” (“Staying Up”).

Hanan Hassan Mohamed A’bd Al Kareem was born in Cairo. She studied at the Ballet Institute and while performing in a production of “Macbeth” she was noticed by director Kheiry Bushara who nominated her for a role in the film title “Raghba Muttawahisha” (“Monstrous Desire”). Hanan has performed in several television productions amongst which is “al-Suqoot fee Bir Saba” (“Falling into Bir Saba”), “al-Mal wa al-Banoun” (“Property and Progeny”), “al-Sabr fee al-Mallahat”, “lan A’eesh fee Jalbab Abby” (“I Will not Live in My Father’s Robes”), “Opera A’ydah”, “Ameera fee A’bdin” (“A Princess in A’bdin”), “Nisf Rabee’ al-Aakhar” (“The Middle of Next Spring”). Moreover the actress has also partaken in the cinema production “Fee al-Ou’shq wa al-Saffar” (“Love and Journeying”). Hanan is considered among the most talented performers of her generation and can be seen in her finest form in “al-Mohajjir” (“The Emigrant”), “al-Aakhar” (“The Other”) and “Sahr al-Layaly” (“Staying Up”).

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