Eiji Tsuburaya

المعلومات الشخصية

معروف بـ تأثيرات بصرية

الأعمال المعروفة 141

جنس ذكر

تاريخ الميلاد يوليو 7, 1901

يوم الوفاه يناير 25, 1970 (68 سنة)

مكان الولادة 日本,京都府

معروف أيضاً بـ

  • 円谷英二
  • 特撮の神様
  • 쓰부라야 에이지
  • 圓谷英二
  • 円谷英一

درجة المحتوى 

100

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السيرة

Eiji Tsuburaya ranks alongside Willis H. O'Brien and Ray Harryhausen as one of the great visionary SFX masters of twentieth-century fantasy cinema. Best remembered as the amazing special effects genius behind the "Godzilla" series of monster films commencing in 1954, he also contributed effects to a host of other Japanese monster / fantasy / science fiction / drama / propaganda films for over four decades.

Eiji Tsuburaya had a keen interest in the cinema from a young age, and legend has it that he acquired a second-hand movie projector when he was only ten years old, and pulled it apart and put it back together with relative ease. He began work as a cinematographer in Kyoto around 1919 and then enhanced his skills to include camera work throughout the 1920s, at which time his eye for detail was in high demand from many studios. Around 1938, he became head of Special Visual Techniques at Toho Studios, and during the Second World War, he was involved in the production of several Japanese propaganda films. He went freelance after the war, and in 1954 he collaborated with director Ishirô Honda on the monster epic Gojira (1954) (aka "Godzilla"). The film was an enormous hit in Japan, and additional scenes were filmed with US actor Raymond Burr and then inserted strategically to give the movie western appeal. "Godzilla, King Of The Monsters" was then released in the USA to strong box office takings, and Godzilla has since appeared in over two dozen films spanning over fifty years, becoming a key cult icon of Japanese culture!!

The incredibly talented Tsuburaya went on to be the SFX director behind dozens of Japanese monster & science fiction classics including Sora no daikiju Radon (1956) (aka "Rodan"), Bijo to ekitai ningen (1958) (aka "The H-Man"), Densô ningen (1960) (aka "The Telegian"), Mosura (1961) (aka "Mothra"), Kingu Kongu tai Gojira (1962) (aka "King Kong versus Godzilla"), Varan the Unbelievable (1962), Matango (1963), Furankenshutain tai chitei kaiju Baragon (1965) (aka "Frankenstein Conquers the World"), and Kaiju soshingeki (1968) (aka "Destroy All Monsters" ). Tsuburaya had also established his own production company in 1963 (Tsuburaya Productions), creators of the highly popular "Ultraman" character, and subsequent TV shows and films.

On January 25, 1970, while vacationing in Shizuoka Prefecture, Tsuburaya suffered a sudden, fatal heart attack. His incredible film & SFX production company is still active today under the guidance of his grandson, Kazuo Tsuburaya.

Eiji Tsuburaya ranks alongside Willis H. O'Brien and Ray Harryhausen as one of the great visionary SFX masters of twentieth-century fantasy cinema. Best remembered as the amazing special effects genius behind the "Godzilla" series of monster films commencing in 1954, he also contributed effects to a host of other Japanese monster / fantasy / science fiction / drama / propaganda films for over four decades.

Eiji Tsuburaya had a keen interest in the cinema from a young age, and legend has it that he acquired a second-hand movie projector when he was only ten years old, and pulled it apart and put it back together with relative ease. He began work as a cinematographer in Kyoto around 1919 and then enhanced his skills to include camera work throughout the 1920s, at which time his eye for detail was in high demand from many studios. Around 1938, he became head of Special Visual Techniques at Toho Studios, and during the Second World War, he was involved in the production of several Japanese propaganda films. He went freelance after the war, and in 1954 he collaborated with director Ishirô Honda on the monster epic Gojira (1954) (aka "Godzilla"). The film was an enormous hit in Japan, and additional scenes were filmed with US actor Raymond Burr and then inserted strategically to give the movie western appeal. "Godzilla, King Of The Monsters" was then released in the USA to strong box office takings, and Godzilla has since appeared in over two dozen films spanning over fifty years, becoming a key cult icon of Japanese culture!!

The incredibly talented Tsuburaya went on to be the SFX director behind dozens of Japanese monster & science fiction classics including Sora no daikiju Radon (1956) (aka "Rodan"), Bijo to ekitai ningen (1958) (aka "The H-Man"), Densô ningen (1960) (aka "The Telegian"), Mosura (1961) (aka "Mothra"), Kingu Kongu tai Gojira (1962) (aka "King Kong versus Godzilla"), Varan the Unbelievable (1962), Matango (1963), Furankenshutain tai chitei kaiju Baragon (1965) (aka "Frankenstein Conquers the World"), and Kaiju soshingeki (1968) (aka "Destroy All Monsters" ). Tsuburaya had also established his own production company in 1963 (Tsuburaya Productions), creators of the highly popular "Ultraman" character, and subsequent TV shows and films.

On January 25, 1970, while vacationing in Shizuoka Prefecture, Tsuburaya suffered a sudden, fatal heart attack. His incredible film & SFX production company is still active today under the guidance of his grandson, Kazuo Tsuburaya.

تأثيرات بصرية

1977
1969
1969
1968
1967
1967
1966
1965
1965
1964
1964
1964
1963
1963
1962
1962
1962
1961
1961
1960
1960
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1957
1956
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1956
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1955
1955
1954
1954
1954
1953
1953
1953
1951
1949
1947
1942
1942
1942
1940
1940

فريق العمل

2013
1977
1969
1969
1966
1966
1966
1966
1965
1965
1965
1965
1964
1964
1964
1963
1963
1963
1962
1962
1962
1962
1961
1961
1961
1960
1959
1959
1959
1958
1958
1958
1957
1957
1956
1955
1954
1954
1954
1954
1953
1952
1952
1949
1949
1946
1946
1945
1944
1943
1943
1943
1943
1943
1943
1942
1931
1929

مبدع

2024
2023
2023
2022
2022
2022
2022
2021
2021
2020
2020
2019
2018
2017
2017
2016
2016
2015
2013
2013
2004
2000
1996
1993
1990
1980
1979
1974
1973
1972
1971
1968
1967
1966
1966

كتابة

2022
2020
2019
2017
1993
1993
1977
1957
1956
1954
1942

الكاميرا

1935
1935
1928
1926

إنتاج

1979
1972
1969

التمثيل

1966
1966

الإخراج

1967

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