Dimitri Kirsanoff

Informations personnelles

Célèbre pour Réalisation

Apparitions connues 22

Genre Homme

Date de naissance 6 mars 1899

Date de décès 11 février 1957 (57 ans)

Lieu de naissance Tartu, Estonia

Alias

  • Дими́трий Кирса́нов
  • Dimitri Kirsanov
  • Димитрий Кирсанов
  • Markus David Sussmanovitch Kaplan

Score de contenu 

100

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Biographie

Dimitri Kirsanoff (Russian: Дими́трий Кирса́нов) was an early filmmaker, considered part of the French Impressionist movement in film. He is known for his inexpensively made experimental films.

Kirsanoff was born Markus David Sussmanovitch Kaplan in Tartu (then Juryev), Estonia, then Russian Empire in 1899 to Lithuanian Jewish parents. In the early 1920s he moved to Paris and became involved in cinema through playing cello in the orchestra at showings. He began making films on his own, and never worked with a production company. Kirsanoff was at the forefront of Parisian avant-garde filmmaking thanks to works such as Ménilmontant (1926), which combined soviet style montage with hand-held camerawork and lyrically composed static shots. Kirsanoff's early silent films, many starring his first wife Nadia Sibirskaia, are considered his best works. With the coming of sound the quality of his output declined, though he continued to direct commercial ventures into the 1950's. He was married to the actress Nadia Sibirskaïa who starred in several of his early films. His second marriage was to editor Monique Kirsanoff.

Dimitri Kirsanoff (Russian: Дими́трий Кирса́нов) was an early filmmaker, considered part of the French Impressionist movement in film. He is known for his inexpensively made experimental films.

Kirsanoff was born Markus David Sussmanovitch Kaplan in Tartu (then Juryev), Estonia, then Russian Empire in 1899 to Lithuanian Jewish parents. In the early 1920s he moved to Paris and became involved in cinema through playing cello in the orchestra at showings. He began making films on his own, and never worked with a production company. Kirsanoff was at the forefront of Parisian avant-garde filmmaking thanks to works such as Ménilmontant (1926), which combined soviet style montage with hand-held camerawork and lyrically composed static shots. Kirsanoff's early silent films, many starring his first wife Nadia Sibirskaia, are considered his best works. With the coming of sound the quality of his output declined, though he continued to direct commercial ventures into the 1950's. He was married to the actress Nadia Sibirskaïa who starred in several of his early films. His second marriage was to editor Monique Kirsanoff.

Réalisation

1957
1956
1955
1953
1951
1950
1950
1946
1946
1938
1938
1937
1936
1936
1935
1935
1934
1929
1928
1927
1926
1924

Écriture

1951
1950
1946
1938
1938
1937
1927
1926
1924

Production

1934
1926

Interprétation

1924

Montage

1926

Image

1926

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