Mary Field

Personal Info

Known For Directing

Known Credits 77

Gender Female

Birthday January 1, 1896

Day of Death December 23, 1968 (72 years old)

Place of Birth Wimbledon, London, England, UK

Also Known As

  • Agnes Mary Field
  • Mrs Gerald Hankin

Content Score 

100

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Biography

British director and screen writer, she is not to be confused with the American actress of the same name. Mary Field is best known for directing short educational and nature films.

Field became the series director of Secrets of Nature in 1929. Previously a history teacher, she joined the film industry as an historical consultant in 1925, working for British Instructional Films. Although she had no training in science or filmmaking, Field quickly proved herself to be a first-class film director, developing a unique style that fused education and instruction.

Field insisted that nature films were more than just a series of impressive images: they were the result of a painstaking process that involved scriptwriting, editing, filming, cutting and montage and synchronisation, as well as the collaboration of expert consultants.

She continued to direct nature films under the new title Secrets of Life from 1934 when her production team, led by H. Bruce Woolfe, moved from British Instructional Films to Gaumont-British instructional. During the Second World War, she put her skills to work in producing public information films for the British government and was later commissioned to produce a series of educational films for the British Council. Field was a pioneer in understanding how children related to the cinema, and spearheaded attempts to adapt films to their taste. Her 1954 Carnegie report, Children and Films: A Study of Boys and Girls in the Cinema, investigated the reactions of children to a series of films by means of infra-red photography. Previous reports into children’s reactions to cinema had been based on questionnaires. Field had been interested in audience’s reactions long before this – as early as the late 1920s, she was adapting many of the Secrets of Nature films based on audience feedback.

British director and screen writer, she is not to be confused with the American actress of the same name. Mary Field is best known for directing short educational and nature films.

Field became the series director of Secrets of Nature in 1929. Previously a history teacher, she joined the film industry as an historical consultant in 1925, working for British Instructional Films. Although she had no training in science or filmmaking, Field quickly proved herself to be a first-class film director, developing a unique style that fused education and instruction.

Field insisted that nature films were more than just a series of impressive images: they were the result of a painstaking process that involved scriptwriting, editing, filming, cutting and montage and synchronisation, as well as the collaboration of expert consultants.

She continued to direct nature films under the new title Secrets of Life from 1934 when her production team, led by H. Bruce Woolfe, moved from British Instructional Films to Gaumont-British instructional. During the Second World War, she put her skills to work in producing public information films for the British government and was later commissioned to produce a series of educational films for the British Council. Field was a pioneer in understanding how children related to the cinema, and spearheaded attempts to adapt films to their taste. Her 1954 Carnegie report, Children and Films: A Study of Boys and Girls in the Cinema, investigated the reactions of children to a series of films by means of infra-red photography. Previous reports into children’s reactions to cinema had been based on questionnaires. Field had been interested in audience’s reactions long before this – as early as the late 1920s, she was adapting many of the Secrets of Nature films based on audience feedback.

Directing

1949
1944
1944
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1933
1932
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1932
1931
1931
1931
1931
1931
1930
1930
1930
1930
1930
1929
1929
1925
1923

Editing

1942
1936
1936
1934
1933
1933
1932
1931

Production

1963
1962
1961
1960
1960
1960

Writing

1933
1931

Acting

1954

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