Shot on Sanday, one of the Orkney islands, the film is in four sections, each representing (and transforming) the filmmaker's actions in and experience of a place at a particular time. Drawing on the qualities of these places and the long history of human habitation of the landscape (evidence for which goes back to 3500 BC), Nick Collins' intention was to make possible the experience of a series of linked mental/emotional states, seen through a landscape and movement within it.