If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

제주의 일제 동굴진지와 4.3과 관련된 동굴들, 그 동굴이 품은 바다 이미지를 다각도로 들여다보았다. 밖에서 동굴을 들여다보는 것은 검고 어두운 카메라의 내부를 들여다보는 것 같았고, 그 안에 들어가서 밖을 보면 동굴의 입구 형태만큼 스크린이 되었다.