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From the 1980s to the 1990s, New Taiwanese Cinema gained international attention for adopting a completely different approach to that of the commercial films which had preceded it. This piece contrasts Hou Hsiao-hsien and Edward Yang, two rivals who were the driving force behind New Taiwanese Cinema. The closing of a cinema invites us to reflect on society and the passage of history.

  1. Hirokazu Kore-eda


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Original Title 映画が時代を写す時-侯孝賢とエドワード・ヤン

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Original Language Japanese

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