The Bike Thief strives to be to the Romanian expat community in London what Ladri di Biciclette was to the post-war Roman working class, and what A Better Life was to Mexican immigrants in Los Angeles, but completely misunderstands what those two films were trying to say – either that, or it’s simply a reflection of our cynical times. Unlike De Sica’s hero, The Bike Thief’s anonymous protagonist not only never really even bothers to look for his scooter, but he also successfully manages to steal its replacement – in fact, he resorts to theft, something that the main characters of those two othe... leggi il resto.