"Nicolás Zukerfeld’s third feature is a wry, surprising work of filmmaking-as-criticism that begins as a kind of supercut of moments from the work of pantheon Hollywood auteur Raoul Walsh. This rhythmically entrancing parade of images traces a mysterious and amusing arc across the director’s vast oeuvre—but at the halfway mark, the film reinvents itself as an idiosyncratic, essayistic investigation into memory, cinema, and their shared mutability." - NYFF

옛날에 한 영화감독이 이야기한 말 한마디에 집착하기 시작한 영화과 교수. 스스로 영화를 만들고 있다는 사실은 자각하지 못한 채 그 말의 기원만을 찾고 있다.