Bern, 1943. Ein Mann blickt zurück in das Marokko der Kolonialzeit und erzählt die Geschichte seiner leidenschaftlichen Liebe zu einer rätselhaften Frau, die sich trotz körperlicher Hingabe immer mehr zu entziehen scheint.

Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.

A Berne, en 1942, Julien, jeune ambassadeur, retrouve Clotilde, une femme qui l'avait séduit et intrigué quelques années plus tôt en Afrique du Nord. A l'époque, il était tombé éperdument amoureux de cette femme qui ne cessait de lui échapper.

1942年、第2次世界大戦中の中立国スイスの首都ベルン。外交官の男ジュリアンは、フランス大使館主催の豪奢なパーティ会場で、ひとり追憶にふけっていた。10年ほど前、北アフリカの植民地に赴任した彼は、そこで謎めいた人妻クロチルドと出会い、狂おしいほどの恋に落ちたが……。