English Abstract Is there always a great man behind every great woman? Enormous is a great comedy about a famous pianist and her husband and manager who upsets the roles and priorities assigned to men and women in the face of pregnancy, motherhood, fatherhood and professional life without ever falling into acrimony or caricature. He does it with a lot of ease, touches of delirium and a documentary record at times. Enormous could be seen, in the treatment of these topics and with the forcefulness that comedy sometimes gives, as a more successful counterpart to Pieces Of A Woman.

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English Review Claire and Frederic (Marina Foïs and Jonathan Cohen) make up a happy, functioning, childless marriage. She is an internationally famous but introverted classical music pianist and he is her charismatic manager and assistant and they travel the world with a busy concert schedule. But an incident in which Frederic participates will alter the agreements on which their marriage is based.

Enormous is a great comedy by Sophie Letourneur that upsets the roles and priorities assigned to men and women in relation to pregnancy, motherhood, fatherhood and professional life without ever falling into acrimony or caricature, doing it with a lot of carelessness, touches of delirium and a documentary record at times.

Cohen is a very funny comedian; his character can necessarily be infuriating and he is too used to making all the decisions in the couple. Claire (the versatile Marina Foïs is the writer of Cantet's El atelier, a completely different role) stoically copes with her unwanted pregnancy, which at the moment takes disturbing turns.

Enormous could be seen, in the treatment of its topics and with the forcefulness that comedy sometimes gives, as a more successful counterpart to Pieces Of A Woman and culminates in a final segment with a treatment rarely seen on these themes and absolutely moving.