Rapists and murders may be the victims according to you, but I, I call them dogs. And if they're lapping up their own vomit, the only way to stop them is with a lash.

A sparse soundstage is stylishly utilized to create a minimalist small-town setting in which a mysterious woman named Grace (Nicole Kidman) hides from the criminals who pursue her. The town locals at first decide to shield Grace, and in return she openly works labour tasks for them to work off her gratitude. It's not long, however, before the residents of Dogville begin to show their true teeth...

One thing is an absolute,... lire la suite.

I reckon this is my favourite Lars Von Trier film. Set amidst some eerily basic staging purporting to be an hick American town, we see the arrival of "Grace" (Nicole Kidman). Now she is attired in furs and lace and is clearly on the run from something, or someone. Shortly after, some hoods turn up in the town and leave a card in case she ever shows up... The townsfolk are ostensibly nice enough - if rather an eclectic mix, and local "Tom" (Paul Bettany) takes a bit of a shine to her. Can she stay? Initially they can find nothing for her to do, but gradually they seem to embrace her and she beco... lire la suite.

SPOILERS

On my second watch of this film, I am now convinced that Von Trier is the Ingmar Bergman of the 20th century. No other director today digs so profoundly into the human soul, or in such a creative way. And no other director has been so daring with visual translation.

On this watching of Dogville, it finally hit me that this story is the life story of a woman in an abusive relationship. Maybe inspired in part by Polly's "Seeräuberjenny" from Threepenny Opera, or not. Nonetheless, the film script is the same as what might be experienced by a woman drawn into a relationship by a seem... lire la suite.