Not to mention directors like Roman Polanski and Woody Allen who are pedophile rapists.

Gets even funnier now Director Louis C.K. involves in his own scandals~ Not sure if the movie will ever see the light...

timing might be funny, sadly movie is unwatchable boring trash lacking any humor and I am big Louie fan, but here in 50 minutes I laughed zero times, maybe chuckled once until I finally gave up, not sure what was supposed to be point of the movie but if it's dragging and nothing happening even I half movie I guess I will never find out

@Markoff said:

timing might be funny, sadly movie is unwatchable boring trash lacking any humor

Meh, I actually enjoyed it. I wouldn't say it's a straight up comedy though, it's much more of a drama. There are occasional funny moments but it's really a drama.

The timing of the movie coming out right around the time CK's outed as a perv is truly hilarious given what happens in the movie, namely the scene with his daughter's best friend.

@cswood said:

@Markoff said:

timing might be funny, sadly movie is unwatchable boring trash lacking any humor

Meh, I actually enjoyed it. I wouldn't say it's a straight up comedy though, it's much more of a drama. There are occasional funny moments but it's really a drama.

The timing of the movie coming out right around the time CK's outed as a perv is truly hilarious given what happens in the movie, namely the scene with his daughter's best friend.

where is the comedy? there is absolutely nothing funny in first half. where is the drama? there is no climax, nothing happening. it was also none of those atmospheric movies paying with your feelings without plot. honestly it felt like it was made to burn investors money with no idea of direction, student movies are better than this

@Markoff said: where is the comedy? there is absolutely nothing funny in first half. where is the drama? there is no climax, nothing happening. it was also none of those atmospheric movies paying with your feelings without plot. honestly it felt like it was made to burn investors money with no idea of direction, student movies are better than this

Well the parts that made me laugh tended to revolve around awkward situations involving Pamela Adlon and Charlie Day (who I normally don't find funny). Like the part where Charlie Day coaxes CK into asking Malkovich if he really had sex with that young girl and how he'd ask him point blank if he met him, and then later he does exactly that and it's so awkward I laughed out loud. The scene where Adlon comments on Moretz's tan and she uses a Jewish expletive that's described as the Jewish version of the N Word.

The climax i that CK and Moretz make up. The whole movie is about CK being a terrible father of a terrible daughter and both of them realizing it and forgiving each other. They're both, as Adlon puts it, retards. CK chastises Malkovich for sleeping with younger women despite the fact he was open to sleeping with his daughter's 17 year old friend when she mentioned she used to have a crush on him, a guy who cheated on his wife, refused to marry his mistress, fires an actresses so he can hire one he wants to sleep with, then chastises HER for sleeping with an older man in her youth and ruining that relationship.

The drama is that CK is his own worst enemy who seems to be incapable of not screwing everything up in his life. He has ruined almost all of his close relationships and is no longer the great writer he used to be, but Edie Falco's character urges him that he doesn't need to be a great writer, just a good one. In the end he's still hanging out with Adlon who seems to be the only woman who can put up with his bullsh-- and she helps him to reconnect with Moretz, who has a job now and isn't just living off of daddy's money like a spoiled brat anymore.

At least that's what I remember. Again, I enjoyed it, but I can see why others might not.

@cswood said:

@Markoff said: where is the comedy? there is absolutely nothing funny in first half. where is the drama? there is no climax, nothing happening. it was also none of those atmospheric movies paying with your feelings without plot. honestly it felt like it was made to burn investors money with no idea of direction, student movies are better than this

Well the parts that made me laugh tended to revolve around awkward situations involving Pamela Adlon and Charlie Day (who I normally don't find funny). Like the part where Charlie Day coaxes CK into asking Malkovich if he really had sex with that young girl and how he'd ask him point blank if he met him, and then later he does exactly that and it's so awkward I laughed out loud. The scene where Adlon comments on Moretz's tan and she uses a Jewish expletive that's described as the Jewish version of the N Word.

The climax i that CK and Moretz make up. The whole movie is about CK being a terrible father of a terrible daughter and both of them realizing it and forgiving each other. They're both, as Adlon puts it, retards. CK chastises Malkovich for sleeping with younger women despite the fact he was open to sleeping with his daughter's 17 year old friend when she mentioned she used to have a crush on him, a guy who cheated on his wife, refused to marry his mistress, fires an actresses so he can hire one he wants to sleep with, then chastises HER for sleeping with an older man in her youth and ruining that relationship.

The drama is that CK is his own worst enemy who seems to be incapable of not screwing everything up in his life. He has ruined almost all of his close relationships and is no longer the great writer he used to be, but Edie Falco's character urges him that he doesn't need to be a great writer, just a good one. In the end he's still hanging out with Adlon who seems to be the only woman who can put up with his bullsh-- and she helps him to reconnect with Moretz, who has a job now and isn't just living off of daddy's money like a spoiled brat anymore.

At least that's what I remember. Again, I enjoyed it, but I can see why others might not.

Wow, that sounds awful. It seems the hedonistic "humor" is aimed at a Jewish audience, I wouldn't think many other people would find it the least bit funny.

@mitsuko_soma said:

@cswood said:

@Markoff said: where is the comedy? there is absolutely nothing funny in first half. where is the drama? there is no climax, nothing happening. it was also none of those atmospheric movies paying with your feelings without plot. honestly it felt like it was made to burn investors money with no idea of direction, student movies are better than this

Well the parts that made me laugh tended to revolve around awkward situations involving Pamela Adlon and Charlie Day (who I normally don't find funny). Like the part where Charlie Day coaxes CK into asking Malkovich if he really had sex with that young girl and how he'd ask him point blank if he met him, and then later he does exactly that and it's so awkward I laughed out loud. The scene where Adlon comments on Moretz's tan and she uses a Jewish expletive that's described as the Jewish version of the N Word.

The climax i that CK and Moretz make up. The whole movie is about CK being a terrible father of a terrible daughter and both of them realizing it and forgiving each other. They're both, as Adlon puts it, retards. CK chastises Malkovich for sleeping with younger women despite the fact he was open to sleeping with his daughter's 17 year old friend when she mentioned she used to have a crush on him, a guy who cheated on his wife, refused to marry his mistress, fires an actresses so he can hire one he wants to sleep with, then chastises HER for sleeping with an older man in her youth and ruining that relationship.

The drama is that CK is his own worst enemy who seems to be incapable of not screwing everything up in his life. He has ruined almost all of his close relationships and is no longer the great writer he used to be, but Edie Falco's character urges him that he doesn't need to be a great writer, just a good one. In the end he's still hanging out with Adlon who seems to be the only woman who can put up with his bullsh-- and she helps him to reconnect with Moretz, who has a job now and isn't just living off of daddy's money like a spoiled brat anymore.

At least that's what I remember. Again, I enjoyed it, but I can see why others might not.

Wow, that sounds awful. It seems the hedonistic "humor" is aimed at a Jewish audience, I wouldn't think many other people would find it the least bit funny.

Well I'm not Jewish, but again, it wasn't so much of a comedy as it was a drama. I mean Three Billboards has funny moments in it but it's very clearly a drama, but if you went into it thinking it was a laugh out loud comedy then you probably wouldn't like it.

3 billboards was drama and it was also funny, ILYD was neither