21 Changes

April 6, 2019
images a
  • {"poster"=>{"file_path"=>"/dDcikXuocDDs02gmbyrXSTSMAvI.jpg"}}
November 28, 2016
release_dates a
  • {"iso_3166_1"=>"US", "iso_639_1"=>"en", "release_date"=>"1971-06-02", "certification"=>"", "type"=>2, "note"=>nil}
production_companies a
  • {"id"=>83895, "name"=>"Byron Production"}
production_countries a
  • US
crew a
  • {"person_id"=>1715807, "department"=>"Camera", "job"=>"Camera Operator", "cast_id"=>9, "credit_id"=>"583cf92592514110d9007e34"}
crew a
  • {"person_id"=>1033804, "department"=>"Camera", "job"=>"Camera Operator", "cast_id"=>8, "credit_id"=>"583cf918c3a36835a7007fce"}
crew a
  • {"person_id"=>991684, "department"=>"Camera", "job"=>"Camera Operator", "cast_id"=>7, "credit_id"=>"583cf90f92514110cf0084ff"}
crew a
  • {"person_id"=>1666331, "department"=>"Editing", "job"=>"Editor", "cast_id"=>6, "credit_id"=>"583cf90192514110ca0083f3"}
crew a
  • {"person_id"=>6571, "department"=>"Directing", "job"=>"Director", "cast_id"=>5, "credit_id"=>"583cf8f492514110cf0084e6"}
cast a
  • {"person_id"=>1666331, "character"=>"Himself", "order"=>5, "cast_id"=>4, "credit_id"=>"583cf8e6c3a36835a50087f4"}
cast a
  • {"person_id"=>6571, "character"=>"Himself", "order"=>4, "cast_id"=>3, "credit_id"=>"583cf8dd92514110cf0084ce"}
cast a
  • {"person_id"=>6542, "character"=>"Himself", "order"=>3, "cast_id"=>2, "credit_id"=>"583cf8d5c3a36835a7007f99"}
cast a
  • {"person_id"=>6558, "character"=>"Himself", "order"=>2, "cast_id"=>1, "credit_id"=>"583cf8cd92514110cd0084af"}
cast a
  • {"person_id"=>6487, "character"=>"Himself", "order"=>1, "cast_id"=>0, "credit_id"=>"583cf8c392514110d2008553"}
spoken_languages a
  • ["en"]
imdb_id a
  • tt0310167
runtime a
  • 11
translations a
  • en-US
overview a
  • A behind the scenes look at the filming of the movie Shaft (1971). The movie's director, Gordon Parks is seen directing a couple of fight scenes which he wants to get in as few takes as possible due to the set-up time and the danger involved in the stunt work. He is also seen speaking to the composer of the film score, 'Isaac Hayes', about the overlaying of the music over one of those fight scenes, and what he wants musically for another scene involving the lead character, John Shaft, moving through Times Square. The latter would eventually become the movie's iconic theme music. Being a frenetically paced action movie, he also works closely with the film's editor, Hugh A. Robertson.
original_title a
  • Soul in Cinema: Filming Shaft on Location
general c

By signing up for an account on TMDb, you can post directly to Twitter and Facebook.

You need to be logged in to continue. Click here to login or here to sign up.

Global

s focus the search bar
p open profile menu
esc close an open window
? open keyboard shortcut window

On media pages

b go back (or to parent when applicable)
e go to edit page

On TV season pages

(right arrow) go to next season
(left arrow) go to previous season

On TV episode pages

(right arrow) go to next episode
(left arrow) go to previous episode

On all image pages

a open add image window

On all edit pages

t open translation selector
ctrl+ s submit form

On discussion pages

n create new discussion
w toggle watching status
p toggle public/private
c toggle close/open
a open activity
r reply to discussion
l go to last reply
ctrl+ enter submit your message
(right arrow) next page
(left arrow) previous page