César Menéndez confesses that he has lived and, at the same time, is a man condemned to paint. Through a brief tour we enter the interior of his work and his world, loaded with a great religious and sacrilegious metaphor, in the tradition of Luis Buñuel or Federico Fellini.

César Menéndez confiesa que ha vivido y, al mismo tiempo, es un hombre condenado a pintar. Mediante un breve recorrido nos internamos en el interior de su obra y su mundo, cargado de gran metáfora religiosa y sacrílega, en la tradición de Luis Buñuel o Federico Fellini.