Why perform Shakespeare over and over again? Why not record it once and just have it on streaming?
A big part of cinema is the theatrical experience... Seeing a newly released movie in the theatre is very different than your "tiny" 65 inch TV...
What a terrible analogy.
Why? There is a performance aspect to cinema... it's something that is lost these days given the ease of streaming on phones and tablets and the decent size of TVs, but the theatrical experience is important and is distinct...
Why not have both? Why not release the original 1970s movie in theatre again, as has been done with Alien, Titanic and Terminator 2? Why not have a remake where the ending is changed as well as a remake with the same, unchanged ending?
I don't see why this has to be an either/or choice...
Poirot movies have the particular aspect of the endings being the best and most exciting parts of the movies.
So you want the best bit changed?
Someone with better knowledge of Christie adaptations than me will probably be able to give a more definitive answer, but I suspect that very few adaptations change the "whodunnit".
Why perform Shakespeare over and over again? Why not record it once and just have it on streaming?
A big part of cinema is the theatrical experience... Seeing a newly released movie in the theatre is very different than your "tiny" 65 inch TV...
What a terrible analogy.
Why? There is a performance aspect to cinema... it's something that is lost these days given the ease of streaming on phones and tablets and the decent size of TVs, but the theatrical experience is important and is distinct...
Why not have both? Why not release the original 1970s movie in theatre again, as has been done with Alien, Titanic and Terminator 2? Why not have a remake where the ending is changed as well as a remake with the same, unchanged ending?
I don't see why this has to be an either/or choice...
I've already explained to you: repeating exactly the same thing over and over makes it totally predictable and redundant.
Poirot movies have the particular aspect of the endings being the best and most exciting parts of the movies.
So you want the best bit changed?
Someone with better knowledge of Christie adaptations than me will probably be able to give a more definitive answer, but I suspect that very few adaptations change the "whodunnit".
These are ADAPTATIONS. Adaptations get changed every time. This should be no different.
It was. Poirot's moustache, physicality, and the mystery photo as well as the intro and a few character changes. Most of which people complained about.
These are ADAPTATIONS. Adaptations get changed every time. This should be no different.
It was. Poirot's moustache, physicality, and the mystery photo as well as the intro and a few character changes. Most of which people complained about.
Are you sure you're not actually Phillipe LeCharade?
You know, I have seen many versions of different versions of Murder on the Orient Express. And this is the first time i had any real sympathy for the killers. By the end i though these people have suffered enough. So I think the ending was fine for the tone the movie was going for.
Imo there is a quite profound difference in Hercule Poirot and what drives his final motivation. Indeed the outcome and I suppose the conclusion is near the original work and so bring not much new. But what finally motivated Hercule is different and I dare say more deep than even Agatha may ever have had in mind... so if you are a fan of the story, I think you should enjoy it for this reason alone.. Imo it is not better than the original, but it is different enough to be interesting.
I know how it's gonna end. I've already seen these story before.
Maybe my typed words didn't translate well with what I'm trying to say. Now that I look at it; it can surely be deciphered in a couple different ways so I'll be clear.
SPOLIER
The way in which every person; one at a time; at the end of the movie is depicted all lined up; stabbing the victim one right after the other is the most utter bit of nonsense I've ever seen in a movie.
Renovatioからの返信
投稿:2017年12月18日 3:25 AM
Why? There is a performance aspect to cinema... it's something that is lost these days given the ease of streaming on phones and tablets and the decent size of TVs, but the theatrical experience is important and is distinct...
Why not have both? Why not release the original 1970s movie in theatre again, as has been done with Alien, Titanic and Terminator 2? Why not have a remake where the ending is changed as well as a remake with the same, unchanged ending?
I don't see why this has to be an either/or choice...
Philippe LeMarchandからの返信
投稿:2017年12月18日 4:49 AM
So you want the best bit changed?
Someone with better knowledge of Christie adaptations than me will probably be able to give a more definitive answer, but I suspect that very few adaptations change the "whodunnit".
Compare:
^ Makes sense.
^ Does not make sense.
HarrySkywalkerからの返信
投稿:2017年12月20日 7:56 PM
I've already explained to you: repeating exactly the same thing over and over makes it totally predictable and redundant.
HarrySkywalkerからの返信
投稿:2017年12月20日 7:57 PM
No, what you said made absolutely no sense.
Why not changing the ending bit? Why being always the same thing?
These are ADAPTATIONS. Adaptations get changed every time. This should be no different.
Yeah, what you say makes no sense.
Philippe LeMarchandからの返信
投稿:2017年12月21日 4:32 AM
Are you sure you're not actually Harry Yoda?
It was. Poirot's moustache, physicality, and the mystery photo as well as the intro and a few character changes. Most of which people complained about.
HarrySkywalkerからの返信
投稿:2017年12月22日 7:59 PM
Are you sure you're not actually Phillipe LeCharade?
And no, it wasn't.
myposofrからの返信
投稿:2018年01月03日 9:30 AM
You two behave like sad, broken people.
Philippe LeMarchandからの返信
投稿:2018年01月05日 11:04 AM
Thank you.
I prefer to think of myself as Damaged, though.
HarrySkywalkerからの返信
投稿:2018年01月07日 1:39 PM
And you do behave like an imbecile.
Nygma-0999からの返信
投稿:2018年02月10日 10:34 PM
You know, I have seen many versions of different versions of Murder on the Orient Express. And this is the first time i had any real sympathy for the killers. By the end i though these people have suffered enough. So I think the ending was fine for the tone the movie was going for.
HAL 9010'からの返信
投稿:2018年02月12日 4:55 PM
Imo there is a quite profound difference in Hercule Poirot and what drives his final motivation. Indeed the outcome and I suppose the conclusion is near the original work and so bring not much new. But what finally motivated Hercule is different and I dare say more deep than even Agatha may ever have had in mind... so if you are a fan of the story, I think you should enjoy it for this reason alone.. Imo it is not better than the original, but it is different enough to be interesting.
HarrySkywalkerからの返信
投稿:2018年02月12日 5:58 PM
I'll try to watch the movie in the near future.
thebarnmanからの返信
投稿:2018年02月12日 9:56 PM
If you can stomach the ending; you'll probably like the movie.
HarrySkywalkerからの返信
投稿:2018年02月13日 10:42 AM
I know how it's gonna end. I've already seen these story before.
thebarnmanからの返信
投稿:2018年02月13日 11:40 AM
Maybe my typed words didn't translate well with what I'm trying to say. Now that I look at it; it can surely be deciphered in a couple different ways so I'll be clear.
SPOLIER
The way in which every person; one at a time; at the end of the movie is depicted all lined up; stabbing the victim one right after the other is the most utter bit of nonsense I've ever seen in a movie.
Maybe it read better in a book.