In early 2013, it was announced that choreographer and dancer Benjamin Millepied, known as the man behind the ballet of Black Swan, would take over as director of the Paris Opera Ballet. Reset finds Millepied on the eve of his first gala with the Opera, designing and refining his inaugural choreography for the esteemed institution. As a film, Reset possesses of the same artistic assuredness as its subject as he blocks out the preliminary steps for his choreography. It explores various concepts of space simultaneously: the digital space, the space of the opera house (each scene opens with a declaration of which studio it’s in) and the space of the stage, the distance from stage right to stage left. It’s a portrait of a watershed moment for one of the ballet's oldest institutions and one of its brightest new stars, both on the cusp of great transition.

Avec sa culture américaine, sa jeunesse, sa notoriété et son sens de la communication, Benjamin Millepied est en passe de bousculer, contrarier et dépoussiérer, cette vieille et prestigieuse institution qu'est l'Opéra National de Paris. Nommé directeur du ballet de l'Opéra en 2014, il s'apprête à signer sa première création pour le 25 septembre 2015. Des premières répétitions à la première représentation, Thierry Demaizière et Alban Teurlai plongent au coeur du ballet, au plus près de la création artistique.

Τον Οκτώβριο του 2014 ο Μπενζαμάν Μιλπιέ, ο οποίος είχε χορογραφήσει τον «Μαύρο Κύκνο», αναλαμβάνει διευθυντής του Μπαλέτου της Όπερας του Παρισιού κι ετοιμάζει το πρώτο του project.

1939년 히틀러 통치를 피해 뉴욕으로 건너온 독일계 유대인 알프레드와 프랜시스는 블루노트 레코드를 설립한다. 허비 행콕, 퀸시 존스 등 전설적인 재즈뮤지션이 등장해 블루 노트 레코드를 이끌었던 두 사람의 재즈에 대한 열정과 사랑 그리고 자유에 대한 믿음을 들려준다

Um retrato sobre o renomado coreógrafo e dançarino Benjamin Millepied, também conhecido pelas coreografias em Cisne Negro, enquanto ele tenta rejuvenescer o balé de Paris na sua nova posição de diretor.