Barbie reels you in with its silly humor and fantastical ideas. The war of Kens during the last half hour of the film is an all-timer because a battle full of handsome maneuvers, like showing off their naked chest and manly noogies, turns into a full on dance off between Ryan Gosling and Simu Liu.
But the second half of the film leaves a thought-provoking message in your brain regarding both men and women. The Kens gaining respect little by little mirrors how women eventually earned their rights to be respected individuals — after being considered as only being useful in the kitchen or for... read the rest.
FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-greta-gerwigs-barbie-is-both-hilarious-thought-provoking/
"Barbie is hilariously meta, containing spectacularly funny musical numbers, and an efficient tonal balance between over-the-top comedy and rich, thought-provoking social commentary. Inevitable awards are on the way for the brightly colored production design, costumes, and makeup.
Greta Gerwig and Noah Baumbach's narrative unapologetically tackles quite serious topics, from sociopolitical matters like patriarchy and sexual harassment to questions about existential... read the rest.
The film is marketed as a light hearted family film but instead focuses on adult themes while pushing an extremist feminist agenda which mocks traditional family values and men.
The only enjoyable parts of this movie are the scenes with Ken, played by Ryan Gosling.
"Thus Spake Zarabarbie" - that's the opening message as narrated by Dame Helen Mirren who gives us a potted history of the doll - from it's origins as an inanimate plaything of young girls to it's current status as an empowering conduit for young girls to emerge into society as uninhibited and aspirational beings with only the sky as the limit. Well, that's the philosophy in Margot Robbie's "Barbieland". A sterile sort of environment that lives it's life along the lines of a pink "Groundhog Day". Men? Well yes, there are - as embodied by the tanned, rippled and toned "Ken" (Ryan Gosling) but th... read the rest.
This was an excellent film that left me emotionally stretched in just the right way. It's an adult movie with childhood references (not a kids' film at all), and seems pitched at people roughly my age (Matchbox 20 referenced as a track for wooing is too close for comfort!) It superbly voices the internal contradictions women need to navigate to be accepted. It works hard not to centre Ken, even while his role is a critical counterpoint, but also gives a little airtime to how much a male-dominated world makes it hard to be a man too.
The writing is out of this world, the pacing is spot on... read the rest.
“Heavy is the arm that wears its heart on its sleeve.” That’s the best way to sum up this overwritten, overlong, stunningly obvious treatise on gender equality, consumerism and existentialism, whose messages get beaten to death beginning early on and never let up, an exhausting experience, to be sure. Writer-director Greta Gerwig’s latest offering, co-written with collaborator Noah Baumbach, features a dreadful script that’s about as subtle as a young adult novel, drones on and on and on for about 30 minutes longer than it needs to be, becomes endlessly repetitive, and incorporates story thread... read the rest.
McKinnon and Gosling's acting is great, and the dance numbers are really well done. But the story is very weak -- the Gloria/Sasha tie-in felt ham-fisted and the 'bonding' Barbie has at the end with Ruth makes no sense in the context of the rest of the film. It also doesn't help that throughout the whole movie you're being hit over the head with a message that they really want to make sure you understand (how many times can you say 'patriarchy'?) Not recommended.
The Barbie movie is funny, and fun, and moved with deft pace from laughs to moments so engaging you could hear a pin drop in the theatre.
Its social message should not be controversial — Barbie is a critique of power and status quo.
Its allegory in art swings at every in-power group, and gives voice to every marginalized group.
There's even a point at which Barbie longs to restore the status quo in Barbieland and return to her position of privilege, and is chastised by Ken who, having reversed the roles, asks her "how does it feel?" (to be not seen, to not matter).
Barbie's breathtaking visuals and practical effects outshine the erratic storytelling to make a fresh and innovative movie with themes that will be divisive for many.
Barbie is a visually stunning achievement that has excelled at the box office while dividing audiences. On the one hand, Barbie amazes with extravagant practical sets and exceptional performances, but on the other hand, the story and directing feel chaotic and erratic. The target audience seems to be moms who played with Barbies and would bring their daughters to the film. Therefore, some film's themes feel more grown up th... read the rest.
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