Fleming Faloon (1963)
Overview
In his first 16mm film, Landow proposes that if we accept the reality offered to us by the illusion of depth on the flat plane of the screen, we can then assign reality to anything at will. A cinematic equivalent of the illusionistic portraiture of the Flemish painters. - Harvard Film Archive
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Status Released
Original Language English
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Content Score
28
Rome wasn't built in a day...
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