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Une critique de Andres Gomez

80%
Rédigée par Andres Gomez le 28 juin 2013

A good movie and interesting plot but the characters are a little bit exaggerated and the outcome is quite expectable.

A poor "lady's companion", so self-effacing that we are never given her name (Joan Fontaine), suddenly finds her life changed when a moody widower, Maxim de Winter (Laurence Olivier), proposes to marry her and take her to his splendid estate of Manderley.

It seems like a fairy-tale turned true, but it is not. On reaching Manderley, the new Mrs. de Winter (still unnamed) finds herself out of place, as Maxim seems to drift away and the hostile housekeeper Mrs. Danvers (Judith Anderson) repeatedly tells her that she will never live up to the standard set by Maxim's first wife Rebecca.

Wha... lire la suite.

Une critique de waltzma

100%
Rédigée par waltzma le 14 décembre 2017

Absolutely perfect Gothic Thriller that has many imitators but few of equal quality.

With "Rebecca" about to hit the Broadway stage (as a musical!), I thought it was time to write my review of perhaps my favorite Hitchcock film. I recall the first time I saw this on TV almost 30 years ago on the late show, I had set my VCR to tape it, but woke up to start watching a bit of it, and stayed up all night to watch it all. That's how good a film it is. Daphne Du Maurier's tale of a shy companion who shocks her employer by winning the most desired wealthy widow in England is gripping, suspenseful,... lire la suite.

Une critique de John Chard

100%
Rédigée par John Chard le 24 juillet 2019

Do you think the dead come back and watch the living?

Rebecca is directed by Alfred Hitchcock and adapted to screen play from the Daphne du Maurier novel of the same name. It stars Laurence Olvier, Joan Fontaine and Judith Anderson. Cinematography is by George Barnes and music scored by Franz Waxman.

After meeting and marrying 'Maxim' de Winter (Olivier), the Second Mrs. de Winter (Fontaine), finds life at his English estate, Manderley, far from comfortable because the servants and the house serve to remind her of the first Mrs. de Winter, whose death remains a source of mystery. What d... lire la suite.

Une critique de CinemaSerf

80%
Rédigée par CinemaSerf le 23 juin 2022

We saw this quite recently on the big screen at Somerset House in London. One of those outdoor screenings - and the fact that it poured with rain on hundreds of us didn't matter one jot (though the hampers got quite sodden). Olivier and the eerily stupendous Judith Anderson provide the ultimate in sophisticated horror partnerships and make this by far my favourite Hitchcock film. Joan Fontaine is an expert at conveying the naive, adoring vulnerability of the second "Mrs. de Winter", combatting a foe she cannot hope to defeat and George Sanders is almost as sinister as he makes up the quartet in... lire la suite.

Une critique de Filipe Manuel Neto

100%
Rédigée par Filipe Manuel Neto le 12 avril 2024

One of the greatest films of Hitchcock's career.

Alfred Hitchcock was truly a master, and there are not many directors who can present a CV so vast, so rich and so deserving of acclaim. Ironically, he did not win a single Oscar for his work as a director and even this film, which was one of the most awarded in his work, only won two Oscars (Best Film and Best Black-and-White Cinematography) at the 1941 ceremony.

The film was produced by David O. Selznick through his own studio, which was then busy completing and releasing “Gone With the Wind”. He had acquired the film rights to the or... lire la suite.

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