Of course, I'm referring to the murder of sexy dancer Gloria Revelle. It's a movie scene so infamous, it got a reference in Bret Easton Ellis' novel American Psycho, which dealt with the subject mater you'd expect.
What was director Brian De Palma thinking? The rud e contrast between the husband's ugly face mask and Gloria's green eyes, the helpless pleading for her life, the earlier set up of Gloria dancing for the Peeping Tom and of course, the appearance of the murder weapon, a drill, as it points towards her soft tummy -- all of this is enough to give many a 12-year-old guy psychosexual fallout, for decades to come.
Shame on you, Mr. De Palma, for you constructed a whole feature film around a single scene so violently misogynistic that the rest of your movie will forever take a background role.
لم تجد الفلم أو المسلسل ؟ سجل دخولك و انشئها
هل تريد تقييم او اضافة هذا العنصر للقائمة؟
لست عضو؟
رد بواسطة tmdb53400018
بتاريخ فبراير 3, 2023 في 2:02 صباحا
That's a false dichotomy.
What do you mean by that?
رد بواسطة tmdb53400018
بتاريخ فبراير 12, 2023 في 11:23 صباحا
Thanks for that!
And as for the rest of your post, that's definitely your opinion--"The film in question is one of De Palma's lesser works" would probably be a more popular opinion, with all that sludge about Holly Body and the Vertigo rip considered.
رد بواسطة tmdb53400018
بتاريخ فبراير 13, 2023 في 4:51 مساءا
Great
رد بواسطة wonder2wonder
بتاريخ فبراير 14, 2023 في 10:21 مساءا
When I saw this movie, it reminded me of Alfred Hitchcock's movies "Rear Window (1954)" and "Vertigo (1958)", so I already knew what the plot would be like.
The violent death was shocking, and when I saw the murder weapon I thought: 'Has the killer from the slasher movie "The Slumber Party Massacre (1982)" returned?'
رد بواسطة tmdb53400018
بتاريخ فبراير 15, 2023 في 9:59 صباحا
Right -- I wasn't quite sure whether to classify the plot line as an "homage" or a "rip." Haha.