There is a void to fill regarding a yearly Thanksgiving franchise. The Carver is outrageous enough to be more enjoyable if Eli Roth allows other directors to play in his grotesque cornbread-stuffing-filled sandbox in future installments. As a standalone film, Thanksgiving leans more into the dumb than it does fun and will likely leave viewers feeling nauseous, especially if they see the film on a belly full of cranberry sauce and chunky gravy.

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