This film suggests a network of hierarchical relations between people through sometimes subtle and at other times blunt illustrations.
In a family where relations have deteriorated to the worst level, even affecting professional lives, an outsider tries to rebuild the lost love and compassion.
Single retired civil servant decides to return to his hometown to meet his first and only love. But the woman he finds is just a spectre of his memory.
Goksel is a butler at the mansion of the wealthy Mr. Kadri. As Mr. Kadri and his family go on a three-month trip to Europe, Goksel sends all the staff on vacation -except the cook and driver. Goksel introduces himself to the society as the landlord. In the meantime Fatma, daughter of a rich family doesn't accept her parents' intentions of having her married to someone she doesn't want and runs away from her home. She starts working at Goksel's residence as a maid. Goksel is dating with Aysel who is already engaged. Fatma has an affection for Goksel but he wants to have someone rich. Mr. Kadri returns from his trip earlier than expected and all the lies are revealed. Aysel leaves Goksel and Fatma confesses him her love. Goksel soon comes to know who Fatma really is. The lovers start a brilliant life together.
Princess Marusya once fell in love with the serious, businesslike doctor Toporkov, and it took her whole life for this man to one day turn away from his business and look into her eyes. Her days were already numbered. And she herself, and her love, and his attention, and their short happiness - all this is like belated flowers...
The selfishness of the bourgeoisie and the dull passivity of its servants are the theme of this puppet animation presenting the tragicomedy of a society in its death throes, taking refuge in absurd behaviour.
In this documentary, former staff of members of the British Royal Family reveal the routines and duties that take place out of the public eye. Also, historian Kate Williams explores servant duties from ancient times.
This compelling tale of love and betrayal, set in the upper Egyptian countryside, follows the story of Amna as she plots her revenge on the engineer who destroyed her family's honor.
Set in 19th century country side and a small town. Leni and later her daughter Hanni living in Pimeänpirtti croft are seduced by Otto von Holten, the Patron of Kankaanpää Estate.
A young writer, John Hale, inherits a fortune and moves into an alleged-haunted castle with his servant "Rusty." He discovers the 'hauntee' to be Countess von Baden, hiding in a secret chamber with her son, whom the court has awarded to her divorced husband.
Neelathamara (Malayalam: നീലത്താമര, translation: Blue Lotus) is a 1979 Malayalam language romance film directed by Yusuf Ali Kechery and written by M. T. Vasudevan Nair. Produced at a shoe string budget of ₹ 5 lakhs, the film stars Ambika and Ravikumar in the lead roles. The film deals with the romance between a housemaid and the employer. It was remade with several changes in 2009 by Lal Jose with the same title.
Film is based on a folk tale and tells about how you cannot run away from your destiny. Events take place in unknown place a few centuries ago. Rich landlord cannot have children despite the fact he has a young wife. He hires an unknown drifter who is roaming trough their area with intentions to give him an heir.
Film version of Shakespeare's comedy of a young woman who disguises herself as a man to win the attention of the one she loves.
Young Ellen Neal gets work as a servant with the wealthy Fullerton family. She falls in love with the Fullerton's handsome young son. But he leaves her with child, and when she attempts to gain recognition for her child, the Fullerton family treats her as a blackmailer. But a surprise awaits them all.
A doctor opens an ordination in the abandoned house of his parents which is supposedly haunted by ghosts, as claimed by its only tenants - the old servant and two maids. He starts having nightmares in which a pretty and young girl shows up.
A man heading through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.
A solicitor's secretary goes to a creepy mansion to hand an inheritance to the deceased's niece. The house's service is trying to terrify the girl out of the house, where they know a treasure is hidden.
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
Three degenerates navigate the descending hierarchy of post-consumerist enlightenment.