En los barrios bajos de Baltimore, se investiga un asesinato relacionado con el mundo de las drogas. Un policía es el encargado de detener a los miembros de un importante cártel. La corrupción policial, las frágiles lealtades dentro de los cárteles y la miseria vinculada al narcotráfico son algunos de los problemas denunciados en esta serie. Parece inspirarse en series modernas como "Los Soprano" y en clásicos como "Policías de Nueva York (NYPD Blue)". El creador de la serie fue, durante años, reportero de la crónica negra de Baltimore, y uno de los coguionistas fue policía en la misma ciudad.
Esta serie de los años 90, nominada al Emmy, cuenta la historia del `hombre de acero' y la mujer que lo ama.
Gary Hobson (Kyle Chandler) era un hombre corriente. Un día, su mujer le deja y tiene que irse a un hotel. La siguiente mañana, un misterioso gato amarillo aparece en la puerta junto con un periódico que parece ser la edición del día siguiente del Chicago Sun. Gary descubre que puede leer las noticias que ese día van a ocurrir, y que el resto del mundo no leerá hasta el día siguiente. Desde este momento, su vida no volverá a ser la misma, ya que seleccionará, de entre todas las noticias, las que ponen en riesgo a la gente para intentar salvar sus vidas.
A story about people who succeed in life thanks to nothing but their own efforts. Maria do Carmo is the main character of the telenovela; a mother of five who struggle to be successful in life, but whose most important will be recovering the love of her daughter who was kidnapped when she was just months old.
The adventures of a newspaper reporter covering the world of cops and gangsters in 1920s Chicago.
El asesinato de un joven en un pequeño pueblo costero trae un frenesí mediático al pueblo que amenaza con partir en dos a la comunidad.
The chronicles of the rocky coexistence of midwestern American Larry Appleton and his distant cousin from eastern Mediterranean Europe, Balki Bartokomous.
Jack the Ripper is a 1988 two-part television film/miniseries portraying a fictionalized account of the hunt for Jack the Ripper, the unidentified serial killer responsible for the Whitechapel murders of 1888. The series coincided with the 100th anniversary of the murders.
A team of young journalists attempt to free itself from the constraints of established rules and tell its readers the truth.
A major newspaper has informally decided to employ a female university student. However, shock ripples within the newspaper because of a weekly magazine’s scoop that she is the daughter of the criminal in a serious case. This was the kidnapping of a newborn baby at a big hospital 20 years ago. The criminal demanded a ransom from the director of the hospital instead of the parents. But after the criminal had the large sum of money in hand, he died in an accident while being pursued by the police. The baby was never found. Kaji Hidekazu, a former hotshot journalist who has become deadwood in the wake of an incident, is ordered by the newspaper to re-investigate the kidnapping case. He finds out the shocking, tragic truth which had been kept under wraps.
Follow both the professional and personal lives of reporters working for The Express, a daily Montréal Newspaper.
Deadline is a 1959-1961 American television drama series that re-enacted famous newspaper stories from the past. Hosted and narrated by Paul Stewart, the syndicated series was produced by Arnold Perl. Guest stars included Peter Falk, Diane Ladd, Robert Lansing, and George Maharis. Thirty-nine 30-minute episodes were produced.
Hot metal is a London Weekend Television sitcom about the British Newspaper industry broadcast between 1986 and 1988.
The daily crucible, the dullest newspaper in Fleet Street, is suddenly taken over by media magnate Terence "Twiggy" Rathbone. Its editor Harry Stringer is 'promoted' to managing editor, and is replaced in his old job by Russell Spam. Spam then takes the paper shooting downmarket and turns the crucible into a sensation seeking scandal rag, very much in the style of the British tabloids of the 1980s. He is helped along by his ace gutter journalist, Greg Kettle, who intimidates his tabloid victims by claiming to be "a representative of Her Majesty's press" and produces stories such as accusing a vicar of being a werewolf. Throughout the first series, a running plot involved cub reporter Bill Tytla gradually uncovering an actual newsworthy story that went to the very heart of government.
Written by David Renwick and Andrew Marshall, it is very much a continuation in style from their previous sitcom Whoops Apocalypse!. It was produced by Humphrey Barclay.
Animated Canadian tales of the Great Depression as told by the staff of The Toronto Star.