Encanto เมืองเวทมนตร์คนมหัศจรรย์ เล่าถึงมิราเบล คนธรรมดาเพียงคนเดียวในครอบครัวที่ไม่ธรรมดา เธอได้ค้นพบว่ามีอันตรายบางอย่างกำลังคืบคลานเข้ามา และเธอเป็นความหวังเดียวของครอบครัวที่จะต้องปกป้องทุกคน โดยในเรื่องเราจะเห็นตัวละครใน คาซ่า มาดริกาล สถานที่ ที่ทุกคนล้วนมีพลังวิเศษ มารวมตัวกัน แต่ละตัวละครจะมีพลังต่าง เช่น มีพละกำลัง เรียกสัตว์ เปลี่ยนสิ่งของ แปลงร่าง ทำให้ดอกไม้บาน ถือเป็นการนำเสนอตัวละครหญิงที่น่าสนใจและแตกต่างจากที่ก่อนหน้านี้ ดิสนีย์ ยกให้ตัวละครหญิง เป็น เจ้าหญิง
Harry Dean is a career burglar set on stealing a piece of priceless art from the world's wealthiest man, Mr. Shahbandar. With the help of exotic showgirl Nicole Chang, he concocts the perfect scheme for how the robbery should go and lays it out point by point. However, when the team tries to execute the plan, perfection and reality don't quite match up, and Harry's vision begins to unravel in this twisty tale of a heist gone wrong.
The everyday life of accountant Levante, his family and the other people of a small town in the Tuscan countryside is taken by storm by the serendipitous arrival of five gorgeous Spanish flamenco dancers.
A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.
A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.
In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.
Mist. Dust. A bowling alley in the crosshair of a thunderstorm. A pregnant woman, a businessman and a widower find shelter in its midst. Pins are knocked down until gloomy moths kindle an outage.
Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.
A musical, and also a reflection on watching, on trying to escape an anthropocentric gaze and also on watching itself in cinema. Featuring mares and horses: Triana, Víctor K, Bambi Sailor, San Special Solano, Buck Red Skin, Onkaia, Cool Boy, the donkey Agostino, the mule Guapa. And also Alfredo Lagos, Raül Refree, María Marín, Pepe Habichuela, Virgina García del Pino, María García Ruiz, Pilar Monsell, María Pérez Sanz.
The movement of a bullfighter's body died in America originates a massive concentration of people in an Andalusian people. Owed to the influence of so many persons, all the houses are enabled, even the brothel.
The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.
Salomé's story interpreted by a director and a troupe of flamenco dancers.
A flamenco dancer who grapples with stress and anxiety faces a critical decision point where she must choose whether surrender to her emotions or rise above them and take control.
A look at the history and traditions of flamenco music and dance.
"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.
Caco is a proud, handsome man, head of a family, and very powerful in the local community. Yet he has been torn to pieces by the death of his beloved daughter. He constantly visits her grave, weeps silently at her photo and has transferred all his wildly protective love and attention onto his mentally challenged nephew, Diego. It seems that Diego's father, Caco's brother, is in hiding after having killed a man from the Caravaca family, who are equally powerful in the community. They are looking for vengeance and have come to Caco for justice. When he refuses to betray his brother, the Caravacas grow impatient. When they realize they are getting nowhere, they threaten to kill Diego. Despite his fierce pride, Caco eventually realizes that the cycle of killing and revenge must be broken. But how can he achieve this and protect everyone he loves?
When Antón Álvarez, C. Tangana, meets Yerai Cortés, he is fascinated by his talent and intrigued by his family history. Yerai is an unusual figure in flamenco, respected by both the more traditionalist Roma and the avant-garde artists of the new wave to which he belongs. They decide to embark on a journey together to record an album whose songs are marked by a great sadness, where the artistic process itself confronts him with his past and drives him to explore a family secret through which he tries to redeem his relationship with his parents. The result is a film that develops a unique musical experience to immerse us in a story of passion, love and forgiveness.
Gypsy Romeo and Juliet: A boy and a girl from rival families fall in love.
A flamenco dancer (Antonio Gades) reflects on his life and career when he is surprised to be honored on a television show telling his life story. The memories stir up controversy, and an old friend seeks retribution as Antonio had once stolen his girl.
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.