„Да обичаш Пабло“ пресъздава вълнуващата история и бурната любовна афера между прочутия колумбийски наркобарон Пабло Ескобар (в ролята Хавиер Бардем) и амбициозната телевизионна водеща Вирхиния Валехо (в ролята Пенелопе Крус). Разказът е предаден през погледа на журналистката, по чийто роман „Да обичаш Пабло, да мразиш Ескобар“ е направена тази екранизация. Българската компания B2Y Productions, част от Ню Бояна Филм Студиос, е копродуцент на проекта с оригинално заглавие „Loving Pablo“. Режисьор и сценарист на филма е Фернандо Леон де Араноа. Самото присъствие на актьорския тандем Бардем-Крус (двойка и в реалния живот) гарантира на публиката среща с качествено европейско кино, а познатото и очаквано синхронно взаимодействие между двете звезди на световното кино със сигурност действа като допълнителна притегателна сила за зрителско внимание.
Меделин, 1989 г. Антонио отвежда Росарио в болница в тежко състояние. Докато протича операцията й, Антонио си спомня началото на тяхната история. Антонио и Емилио са приятели. Емилио е богат плейбой, привлича жените без сериозни връзки, докато не среща проститутката Росарио в тайнствени отношения с подземния свят. Емилио се влюбва, Лосарио го харесва, но не не го допуска до своя свят. Антонио е честният приятел, винаги на разположение, който постепенно започва да се влюбва и да проявява грижа и внимание към Росарио, които тя не познава.
Marlon Cruz, a young Colombian man who motivated by his girlfriend Reina, leaves his comfortable life in Medellin and flees with her through Guatemala and Mexico, across the borders, illegally into the United States.
Medellin, 1973: a young girl, chewing bubble gum and playing with a top comes upon the body of a murdered man. She's intrigued, even cheered by the sight. Jump ahead 18 years: Gabriela is living in Miami, Florida, and her job, which she loves, is to clean up crime scenes. We see a particularly bloody murder, and the next day, Gabriela is there to clean it up. As she plays music, cleans, and imagines the crime, the murderer returns to the scene to remove evidence. He gets more than he bargained for.
A look at the notorious Colombian Medellin cocaine cartel. Former coke addict has built a new life as contractor, but cannot shake off his past on drugs.
Rodrigo is a marginalized and lonely being who prefers to die before being forced to kill. He finds himself trapped in a city that oppresses him, calls him, marginalizes him.
Camilo, 35 years old, son of Colombian guerrillas, returns to his home country after 25 years of exile in Italy. In an attempt to understand his parents' radical choices, he dives into the family archive. Extraordinary amateur films and private writings reveal never-ending conflicts and painful memories. Those of a father, a revolutionary commander, who sacrificed everything in the name of political struggle, but who saw his dream of justice vanish. Those of a son, who grew up in the shadow of a charismatic but cumbersome man, unable to accept the needs of a child. Those of a mother. A ghost that has haunted Camilo's dreams since he was five years old. A unique opportunity to give life to an impossible dialogue, long desired but never really happened.
Based on the story "The monster in my room" by Miguel Angel López, a girl recounts living with her mother and a monster that stalks her at night.
80s-90's Medellin-Colombia-Punk Documentary.
Cocaine has always gotten a bad rap, and for a reason. It is a drug used by the rich and the poor legally and illegally, Mexican cartels fought over it with Colombia once associated with the brutal cocaine wars, and a source of tension between the American and Mexican borders on the people who are illicitly bringing in cocaine from one side of the border to another and will do anything to do it. So it can be surprising at times to the viewer throughout the course of the documentary special, that it was never always like this.