Real-life kung fu master Nathan Ingram stars in this gritty, low-budget martial arts epic as a local karate school owner who clashes with a gang of drug traffickers posing as the owners of a rival dojo. Director Charlie Ahearn (who helmed the landmark hip-hop film Wild Style) used the housing projects next to his New York Lower East Side apartment as his central location in this 1979 classic, shot on a vintage Super 8 camera.
An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.
A struggling young dancer joins forces with two breakdancers and together they become a street sensation.
Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
An aspiring DJ, from the South Bronx, and his best friend, a promoter, try to get into show business by exposing people to hip-hop music and culture.
From Henry Chalfant, the director genre defining documentary Style Wars, comes what was intended to be the first installment in a regular television series on New York's bludgeoning hip-hop culture, with a specific focus on graffiti. Funding fell through but the material was just to good be left to languish. Chalfant put together what he had and, like Style Wars, it continues to stand as a document of a culture in blossom.
New York, 1986: a city of big dreams and equally big problems. Like New York itself, hip-hop music encompassed both of these human conditions. But hip-hop and its cultural birthplace shared other important characteristics, too: the desire to always be original, a hustle-to-survive ambition, and — if the stars aligned — the ability to come out on top, no matter what the odds. Big Fun in the Big Town is about hip-hop when artistry in the game was still at its center. When skills, not hype, got you your first record deal. When Run-DMC took the reins from Doug E Fresh and Grandmaster Flash, paving the way for hundreds of other hitmakers to follow. When a chart-topping LL Cool J still lived with his Grandmother. When the Latin Quarter was the club to be at on any weekend night. And when artists from all backgrounds could taste their own pop chart dreams, just beyond their reach but still seemingly attainable.
After being misled by the police about a rape and murder near a popular Washington, D.C. Go-Go club, a jaded journalist begins digging into the establishment's racist framework.
"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'
With the explosion of Hip Hop and Rap, three young black musicians battle for space. They cross paths with the São Bento gang, a singing and dancing group led by Thayde and DJ Hum. And also with musicians like Luni, Marisa Orth, Nazi, Fábrica Fagus and many people who play shows at the Mambembe theater.
First broadcast in 1987 on the UK's Channel 4, Bombin' is a documentary about Afrika Bambaataa's Zulu nation bringing American hip-hop culture to the UK for first time. The main focus is the graffiti art of Brim and the variety of reactions he is faced with from the British public and press.
The film is loosely based on a true story about Paolo Roberto, later a professional boxer and TV presenter. Because of his Italian roots, Paolo is dealing with an identity crisis. With an admiration of Kung Fu films and with his teenage aggressions, Paolo practices violence on innocent citizens in Stockholm.
Recorded Live on November 1st, 2nd and 3rd, 1987 from Hammersmith Odeon London, as part of the European Def Jam Tour. With additional footage of Public Enemy on the streets of London.
Legendary hip-hop group Run-D.M.C. must find and punish the evil drug lord-record company executive who murdered their friend. Along the way, they encounter racist bikers, blonde bimbos, and the Beastie Boys!
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
Story about two boys, whose dreams of pursuing music careers are destroyed through substance abuse and drug trafficking.
Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.
Go into the mind of professional dancing coach Tony Lewis as he brings us the greatest hip hop moves of the 90s.
Four Harlem friends -- Bishop, Q, Steel and Raheem -- dabble in petty crime, but they decide to go big by knocking off a convenience store. Bishop, the magnetic leader of the group, has the gun. But Q has different aspirations. He wants to be a DJ and happens to have a gig the night of the robbery. Unfortunately for him, Bishop isn't willing to take no for answer in a game where everything's for keeps.