A college student heads to the forest to exchange an item for a special item he desires. But once he arrives, the deal changes which leads to violence.
Since he was 18 years old, Blake Eckard has written and directed six feature length films in his hometown of Stanberry, Missouri (population 1186). Aside from a short distribution deal in Canada and a few festival screenings, his movies have largely gone unseen.
In this program, director Bing Liu, executive producer Gordon Quinn, and producer Diane Quon discuss the conception of Minding the Gap and its evolution. The program features separated interviews that were conducted in 2020.
In this new program, James Mangold (Cop Land, 3:10 to Yuma) discusses the enormous impact Milos Forman had on his maturation as a filmmaker.
In this new program, choreographer Twyla Tharp remembers her collaboration with Milos Forman on Hair and explains how the entire project was put together.
Scouting locations with Peter Lamont on 'Die Another Day'.
A short documentary about Remy Julienne.
Documentary about the Parisian locations for the film by Louis Malle.
Documentary about the making of the 1983 film "Danton" by director Andrzej Wajda.
Documentary about the making of the 1967 Czech film "Marketa Lazarova".
Documentary about the making of Luc and Jean-Pierre Dardenne's 2011 film "The Kid with a Bike"
Documentary about the making of Marcel Carné's 1942 film.
An interview with Spanish film director Victor Erice, conducted by Hideyuki Miyaoka
Interview with film director Jacques Tourneur which first appeared on the French television series "Ciné regards".
Documentary about the making of the 1962 cult film "Carnival of Souls".
A documentary about the making of Jean Renoir's film The River (1951)
Documentary about the life and career of French director Henri-Georges Clouzot.
Short documentary on the life and work of photographer and filmmaker Morris Engel
A young filmmaker looking for production assistance.
Since the 1930’s, sound gurus referred to as Foley artists have recreated the sounds that infuse a film with life. During a film’s post-production, Foley artists recreate sound that will match the moving image on-screen, using whatever objects are at their fingertips, from hundreds of pairs of old shoes to clunky old tools and squeaky mattresses. But how will Hollywood’s low-tech sound artists survive as digital technology consumes modern movie-making?